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This book covers a range of wartime exploits from operating behind Japanese lines in Burma and Malaya to laying secret dumps on remote islands in the Bay of Bengal for the benefit of RAF aircrew unable to reach their base.
Books on prison camps, daring escapes and life with the Resistance abound. Pat Spooners story is different and more compelling in one important respect. It recounts the gripping and dramatic rescue of two senior British generals (one a VC) and an air vice marshal from occupied Italy by the author and his companion who had themselves both escaped from an Italian PoW camp.This book covers a range of wartime exploits from operating behind Japanese lines in Burma and Malaya to laying secret dumps on remote islands in the Bay of Bengal for the benefit of RAF aircrew unable to reach their base. At the wars end, Pat Spooner, a 25-year-old lieutenant colonel, commanded a war crimes investigation unit in Java and Burma. He describes his personal experiences of the intensive efforts to track down and bring to justice the perpetrators of some of the foulest crimes ever committed by Man. Then, as a senior staff officer (Assistant Adjutant General) he spent a further twelve months controlling the nerve center, in Singapore, of the entire war crimes organization in Southeast Asia involving 18 investigation units.
This book tells the story of prisoner of war camp PG 21, at Chieti, Italy, between August 1942 and September 1943. It was grossly overcrowded, with little running water, no proper sanitation, and in winter no heating.??Conditions (food/clothing) for POWs were so bad that they were debated in the House of Commons.??The prisoners suffered under a violently pro-Fascist regime. The first Commandant personally beat up one recaptured escaper. A pilot was murdered by an Italian guard following his escape attempt. Tunnels were dug, and the prisoners were even prepared to swim through human sewage to try and get out. Morale in the camp remained remarkably high. Two England cricket internationals staged a full scale cricket match. Theatre and music also thrived.??After the Italian Armistice, in September 1943, the British Commander refused to allow the ex-prisoners to leave camp. Germans took over the camp, and most prisoners were transported to Germany. Some managed to hide, and more than half of these subsequently escaped. After the war, a number of the Camp staff were arrested for war crimes.
"By the end of the First World War, there were 3,745 padres (nearly half of the Anglican) serving with the British forces in various theatres of the war... The six first hand accounts in this book (all but one recently come to light) provide the first close-up view of the activities of the regimental padre, sometimes in the thick of the fighting, and do much to dispel the prevailing image of effete camp followers, out of touch with reality." -- from dust jacket.
As the magazine of the Texas Exes, The Alcalde has united alumni and friends of The University of Texas at Austin for nearly 100 years. The Alcalde serves as an intellectual crossroads where UT's luminaries - artists, engineers, executives, musicians, attorneys, journalists, lawmakers, and professors among them - meet bimonthly to exchange ideas. Its pages also offer a place for Texas Exes to swap stories and share memories of Austin and their alma mater. The magazine's unique name is Spanish for "mayor" or "chief magistrate"; the nickname of the governor who signed UT into existence was "The Old Alcalde."
The Royal Opera House, Covent Garden is home of two of the most famous opera and ballet companies in the world. In this official history, Frances Donaldson discusses Covent Garden's many legendary achievements - Der Rosenkavalier with Lotte Lehmann, the unparalleled partnership of Fonteyn and Nureyev, the recent Otello with Domingo. She follows the attitude of the English to opera and their Opera House, and the crusade for opera to be sung in English. She looks at the internal politics and at the often charismatic personalities who have worked at the Opera House: Thomas Beecham, George Solti, Maria Callas, Tito Gobbi, Ninette de Valois and Frederick Ashton. Underlying the story, despite the many successful seasons, are the ever-present problems of financial support and uncertainty of the future. The history is superbly well-documented from the Royal Opera House archives. Comments from journalists of the time -whose critical reviews sometimes led to singers of international acclaim refusing to return to Covent Garden - lend spice to this fine analysis of administrative and artistic management at the Garden.
As the magazine of the Texas Exes, The Alcalde has united alumni and friends of The University of Texas at Austin for nearly 100 years. The Alcalde serves as an intellectual crossroads where UT's luminaries - artists, engineers, executives, musicians, attorneys, journalists, lawmakers, and professors among them - meet bimonthly to exchange ideas. Its pages also offer a place for Texas Exes to swap stories and share memories of Austin and their alma mater. The magazine's unique name is Spanish for "mayor" or "chief magistrate"; the nickname of the governor who signed UT into existence was "The Old Alcalde."
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The research for this book commenced in 1988 while the author was serving in the Army. In the years since, numerous sources have been consulted, but career imperatives left insufficient time to complete the project until retirement from the military. In the past the author spent many days on the First and Second World War battlefields wondering precisely where the Victoria Cross actions took place. He resolved to find out.??The book is designed for the armchair reader as much as the battlefield visitor. A detailed account of each VC action sets it in the wider strategic and tactical context. Detailed sketch maps show the area today, together with the battle-lines and movements of the combata...