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Represent
Patricia A. Banks traverses the New York and Atlanta art worlds to uncover how black identities are cultivated through black art patronage. Drawing on over 100 in-depth interviews, observations at arts events, and photographs of art displayed in homes, Banks elaborates a racial identity theory of consumption that highlights how upper-middle class blacks forge black identities for themselves and their children through the consumption of black visual art. She not only challenges common assumptions about elite cultural participation, but also contributes to the heated debate about the significance of race for elite blacks, and illuminates recent art world developments. In doing so, Banks documents how the salience of race extends into the cultural life of even the most socioeconomically successful blacks.
Black Culture, Inc
A surprising and fascinating look at how Black culture has been leveraged by corporate America. Open the brochure for the Alvin Ailey American Dance Theater, and you'll see logos for corporations like American Express. Visit the website for the Apollo Theater and you'll notice acknowledgments to corporations like Coca Cola and Citibank. The Martin Luther King, Jr. Memorial and the National Museum of African American History and Culture, owe their very existence to large corporate donations from companies like General Motors. And while we can easily make sense of the need for such funding to keep cultural spaces afloat, less obvious are the reasons that corporations give to them. In Black Cul...
The Jet Sex
Victoria Vantoch takes us on a fascinating journey into the golden era of air travel. The Jet Sex explores the much-mythologized stewardess within the context of the Cold War, globalization, and the emerging culture of glamour to reveal how beauty and sexuality were critical to national identity and international politics.
Race, Ethnicity, and Consumption
Race, Ethnicity, and Consumption: A Sociological View looks at the central concerns of consumer culture through the lens of race and ethnicity. Each chapter illustrates the connections between race, ethnicity, and consumption by focusing on a specific theme: identity, crossing cultures, marketing and advertising, neighborhoods, discrimination, and social activism. By exploring issues such as multicultural marketing, cultural appropriation, consumer racial profiling, urban food deserts, and racialized political consumerism, students, scholars, and other curious readers will gain insight on the ways that racial and ethnic boundaries shape, and are shaped by, consumption. This book goes beyond ...
Black Culture, Inc.
A surprising and fascinating look at how Black culture has been leveraged by corporate America. Open the brochure for the Alvin Ailey American Dance Theater, and you'll see logos for corporations like American Express. Visit the website for the Apollo Theater, and you'll notice acknowledgments to corporations like Coca Cola and Citibank. The Martin Luther King, Jr. Memorial and the National Museum of African American History and Culture, owe their very existence to large corporate donations from companies like General Motors. And while we can easily make sense of the need for such funding to keep cultural spaces afloat, less obvious are the reasons that corporations give to them. In Black Cu...
Sex, Botany and Empire (Icon Science)
When the imperial explorer James Cook returned from his first voyage to Australia, scandal writers mercilessly satirised the amorous exploits of his botanist Joseph Banks, whose trousers were reportedly stolen while he was inside the tent of Queen Oberea of Tahiti. Was the pursuit of scientific truth really what drove Enlightenment science? In Sweden and Britain, both imperial powers, Banks and Carl Linneaus ruled over their own small scientific empires, promoting botanical exploration to justify the exploitation of territories, peoples and natural resources. Regarding native peoples with disdain, these two scientific emperors portrayed the Arctic North and the Pacific Ocean as uncorrupted Edens, free from the shackles of Western sexual mores. In this 'absorbing' ( Observer) book, Patricia Fara reveals the existence, barely concealed under Banks' and Linnaeus' camouflage of noble Enlightenment, of the altogether more seedy drives to conquer, subdue and deflower in the name of the British Imperial state.
Femininity in Flight
'Femininity in Flight' considers flight attendants as cultural icons, looking at how attendants redeployed the 'glamourization' used to sell air travel to campaign for professional respect, higher wages, and women's rights.
Stumbling Giants
In Stumbling Giants, Patricia Meredith and James L. Darroch embark on an audacious and startling examination of Canada's big banks. Meredith and Darroch's new vision for the Canadian banking industry is a call to action for all interested stakeholders to work together in creating a banking system for the twenty-first century.
The Love Jones Cohort
This book provides a structural understanding of how identities of race, class, gender, and singleness reconfigure the Black middle class.
