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In spite of the double burden of racial and gender discrimination, African-American women have developed a rich intellectual tradition that is not widely known. In Black Feminist Thought, Patricia Hill Collins explores the words and ideas of Black feminist intellectuals as well as those African-American women outside academe. She provides an interpretive framework for the work of such prominent Black feminist thinkers as Angela Davis, bell hooks, Alice Walker, and Audre Lorde. The result is a superbly crafted book that provides the first synthetic overview of Black feminist thought.
Jacob Lawrence was one of the best-known African American artists of the twentieth century. In Painting Harlem Modern, Patricia Hills renders a vivid assessment of Lawrence's long and productive career. She argues that his complex, cubist-based paintings developed out of a vital connection with a modern Harlem that was filled with artists, writers, musicians, and social activists. She also uniquely positions Lawrence alongside such important African American writers as Langston Hughes, Richard Wright, and Ralph Ellison. Drawing from a wide range of archival materials and interviews with artists, Hills interprets Lawrence's art as distilled from a life of struggle and perseverance. She brings...
A valuable contribution to the history of late 19th-century European and American art, covering every aspect of John Singer Sargent's life, work, and artistic sensibility. 260 illustrations, 90 in full color.
The concept of intersectionality has become a hot topic in academic and activist circles alike. But what exactly does it mean, and why has it emerged as such a vital lens through which to explore how social inequalities of race, class, gender, sexuality, age, ability and ethnicity shape one another? In this new book Patricia Hill Collins and Sirma Bilge provide a much-needed, introduction to the field of intersectional knowledge and praxis. They analyze the emergence, growth and contours of the concept and show how intersectional frameworks speak to topics as diverse as human rights, neoliberalism, identity politics, immigration, hip hop, global social protest, diversity, digital media, Black feminism in Brazil, violence and World Cup soccer. Accessibly written and drawing on a plethora of lively examples to illustrate its arguments, the book highlights intersectionality's potential for understanding inequality and bringing about social justice oriented change. Intersectionality will be an invaluable resource for anyone grappling with the main ideas, debates and new directions in this field.
Patricia Hill Collins has given new meaning to the institution of motherhood throughout her publishing career. Introducing scholars to new conceptions, such as, "othermothering" and "mothering of mind," Collins through her creative and multifaceted analysis of the institution of motherhood, has in a large sense, reconceived what it means to be a mother in a national and transnational context. By connecting motherhood as an institution to manifestations of empire, racism, classism, and heteronormativity, Collins has informed and invented new understandings of the institution as a whole. This anthology explores the impact/influence/ and/or importance of Patricia Hill Collins on motherhood research, adding to the existing literature on Motherhood and the conceptions of Family. In addition, this collection raises critical questions about the social and cultural meanings of race, class, gender, sexual orientation, and mothering.
This chronologically organized and comprehensive anthology of readings tells the whole story of art in America from 1900 to the present. It focuses on the themes, issues, and controversies that occurred throughout the century--using selections that are contemporary with the art--by artists, critics, exhibition organizers, poets, politicians, and other writers on culture. Some recurring themes and issues include issues of identity; the changing nature of modernism and modernity; nationalism; art as individual or community expression; the nature of public art; and the role of criticism, censorship, and government intervention. Texts by well-known writers include Meyer Schapiro, Clement Greenberg, Michael Fried, Donald Kuspit, and Kate Linker. A guide for those interested in both the standard interpretations of American art and in alternative readings.
A forest full of sleepy animals can be found beneath the remarkable, detailed cut-outs on every page of this stunning good night picture book. As the sun goes down on Sleepy Hill, the animals are settling in for the night. This beautifully illustrated picture book with intricate, peek-through cut-outs throughout is sure to enchant any little one getting ready for bed. The soft, rhyming story is perfect for bedtime reading and along the way, kids will learn about animal habitats and behavior. Fans of the much-loved Tree: A Peek-Through Picture Book won't want to miss it.
In Intersectionality as Critical Social Theory Patricia Hill Collins offers a set of analytical tools for those wishing to develop intersectionality's capability to theorize social inequality in ways that would facilitate social change. While intersectionality helps shed light on contemporary social issues, Collins notes that it has yet to reach its full potential as a critical social theory. She contends that for intersectionality to fully realize its power, its practitioners must critically reflect on its assumptions, epistemologies, and methods. She places intersectionality in dialog with several theoretical traditions—from the Frankfurt school to black feminist thought—to sharpen its definition and foreground its singular critical purchase, thereby providing a capacious interrogation into intersectionality's potential to reshape the world.
Alice Neel (1900-1984) is widely considered one of the greatest portraitists of the twentieth century. Published on the occasion of a solo exhibition at David Zwirner, New York, this beautifully designed book presents a selection of portraits and still lifes from the last two decades of the artist's life. Called "the pre-eminent painter-chronicler of New York bohemia" by Deborah Solomon of The New York Times, Neel remains a hero to many of today's most influential figurative painters, including Eric Fischl, Elizabeth Peyton and Marlene Dumas--as much for the emotional and psychological intensity of her work as for her exemplary fearlessness.
In this fiercely intelligent yet accessible book, one of the nation's leading sociologists and experts on race calls for "another kind of public education"--one that opens up more possibilities for democracy, and more powerful modes of participation for young people of color.