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In the early 1970s, a number of West German left-wing activists took up arms, believing that revolution would lead to social change. This publication questions the separation of political violence from feminist politics and offers a new understanding of left-wing female terrorists' actions as feminist practices that challenged existing gender ideologies. The author draws on archival sources, unpublished letters, and interviews with former activists to paint an interdisciplinary picture of West Germany's most notorious political group, the Red Army Faction (der Rote Armee Fraktion (RAF)).
“An incisive critical work” that looks at Octavia Butler’s writing, the movies of the Matrix and Alien series—and more—through a feminist lens (Femspec). Feminist thinkers and writers are increasingly recognizing science fiction’s potential to shatter patriarchal and heterosexual norms, while the creators of science fiction are bringing new depth and complexity to the genre by engaging with feminist thewories and politics. This book maps the intersection of feminism and science fiction through close readings of science fiction literature by Octavia E. Butler, Richard Calder, and Melissa Scott and the movies The Matrix and the Alien series. Patricia Melzer analyzes how these autho...
When GenderQueer was first published in 2002, it was groundbreaking, even inventing a new word for those whose voices had been hidden behind the walls of the gender binary. Now—finally!—it's republished, and those voices are still fresh and compelling in a volume that can take its place as one of the field's early and most original "classics." Michael Kimmel SUNY Distinguished Professor of Sociology and Gender Studies Stony Brook University (retired) Perhaps more than any other issue, gender identity has galvanized the queer community in recent years. The questions go beyond the nature of male/female to a yet-to-be-traversed region that lies somewhere between and beyond biologically dete...
Taken together, the fourteen essays in this collection contribute to the discourse of social conditions for literary women. The essays examine relevant social, intellectual, and professional questions about the ways in which women writers contributed to conceptions of womanhood in nineteenth and twentieth century Anglophone literary culture. Contributors to this collection describe and examine several nineteenth and twentieth century women writers’ responses to patriarchal assumptions about literary merit in genres including poetry and fiction. Womanhood in Anglophone Literary Culture: Nineteenth and Twentieth Century Perspectives will be of special interest to students and faculty of women’s studies and literature written in the English language.
“An incisive critical work” that looks at Octavia Butler’s writing, the movies of the Matrix and Alien series—and more—through a feminist lens (Femspec). Feminist thinkers and writers are increasingly recognizing science fiction’s potential to shatter patriarchal and heterosexual norms, while the creators of science fiction are bringing new depth and complexity to the genre by engaging with feminist thewories and politics. This book maps the intersection of feminism and science fiction through close readings of science fiction literature by Octavia E. Butler, Richard Calder, and Melissa Scott and the movies The Matrix and the Alien series. Patricia Melzer analyzes how these autho...
American Astronautical Society Eugene M. Emme Astronautical Literature Award As NASA prepared for the launch of Apollo 11 in July 1969, many African American leaders protested the billions of dollars used to fund “space joyrides” rather than help tackle poverty, inequality, and discrimination at home. This volume examines such tensions as well as the ways in which NASA’s goal of space exploration aligned with the cause of racial equality. It provides new insights into the complex relationship between the space program and the civil rights movement in the Jim Crow South and abroad. Essays explore how thousands of jobs created during the space race offered new opportunities for minor...
Gender and Environment in Science Fiction focuses on the variety of ways that gender and “nature” interact in science fiction films and fictions, exploring questions of different realities and posing new ones. Science fiction asks questions to propose other ways of living. It asks what if, and that question is the basis for alternative narratives of ourselves and the world we are a part of. What if humans could terraform planets? What if we could create human-nonhuman hybrids? What if artificial intelligence gains consciousness? What if we could realize kinship with other species through heightened empathy or traumatic experiences? What if we imagine a world without oil? How are race, gender, and nature interrelated? The texts analyzed in this book ask these questions and others, exploring how humans and nonhumans are connected; how nonhuman biologies can offer diverse ways to think about human sex, gender, and sexual orientation; and how interpretive strategies can subvert the messages of older films and written texts.
This book addresses provides a series of in-depth portraits of men and women who have been labelled ‘terrorists’, from the 19th, 20th and 21st centuries. Bridging historical methodologies and theoretical approaches to terrorism studies, it seeks to contribute to the developing historicising of terrorism studies. This is achieved principally through a prosopographical approach. In the preponderance of detailed statistical and quantitative data on the practice of terrorism and political violence, the individuals who participate in terrorist acts are often obscured. While ideologies and organisations have attracted much scholarly interest, less is known of the personal trajectories into pol...