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It's April 1969, and fourteen-year-old Yolanda Sahagún can hardly wait to see her favorite brother, Chuy, newly returned from Vietnam. But when he arrives at the Welcome Home party the family has prepared in his honor it's clear that the war has changed him. The transformation of Chuy is only one of the challenges that Yolanda and the rest of her family face. This powerful coming-of-age novel, winner of the 1999 Chicano/Latino Literary Contest, is a touching and funny account of a summer that is still remembered as a crossroads in American life. Yolanda and her brothers and sisters learn how to be men and women and how to be Americans as well as Mexican Americans. "A captivating portrayal ....
Are you unapologetically or apologetically you? Yes, this is my rebirth! The alteration has been so profound that I feel as if I have been reborn. Only in a safe environment can we dare to be vulnerable. We all require a secure area in which to open up - to settle into ourselves and live our truth. It is my earnest view that everyone of us must accept our unique emotional experiences during our lives on Earth. By embracing our emotions, we learn to embrace ourselves as well as acknowledge who we are. We get to see ourselves flourish as we radiate our real beauty - shamelessly - as we begin to welcome who we are, Unapologetically . Embrace your truth.
An examination of the meanings of blackness in the Brazilian state of Bahia, which is often called the most African part of Brazil.
Having left her much-loved San Diego barrio, Yolanda Sahagún is now living in the university dorms when a series of events--her mother dies and her father sells their home--forces her to re-examine her life. Yolanda visits her parents' hometown of El Grullo, Mexico, struggling to understand the ghosts in her life--her mother, her father, and her seemingly idyllic childhood. She fears losing herself in the disintegration of the family. For Yolanda, her father is her enemy (or so she thinks), and in the course of the novel we see him at his best and worst, and we see Yolanda at her best and worst. This is a story of Yolanda's initiation into womanhood and about her fierce struggle to make sure her family does not dissolve. Family and sexual politics; love, death, and abandonment; the struggle to resolve a personal identity in the context of a shattered, first-generation immigrant American family--these are the hugely painful obstructions Yolanda must surmount or incorporate into her own being as she makes her life's journey. Ghosts of El Grullo is a sequel to Santana's critically acclaimed and prize-winning Motorcycle Ride on the Sea of Tranquility.
ñDavid is mine!î Mrs. Renteria shouts out to her neighbors gathered about the dead but handsome young man found in the dry riverbed next to their homes in a Los Angeles barrio. ñDavid?î Tiburcio asked. ñSince when is his name David? He looks to me more like a î Tiburcio glanced at the manÍs face, ñ a Luis.î Mrs. RenteriaÍs neighbors call out a litany of names that better suit the mysterious corpse: Roberto, Antonio, Henry, Enrique, Miguel, Roy, Rafael. The very first winner of the Chicano / Latino Literary Prize in 1974, Ron AriasÍ ñThe Wetbackî uses dark humor to reflect on the appearance of a dead brown man in their midst. This landmark collection of prize-winning fiction,...
Brazil, like some countries in Africa, has become a major destination for African American tourists seeking the cultural roots of the black Atlantic diaspora. Drawing on over a decade of ethnographic research as well as textual, visual, and archival sources, Patricia de Santana Pinho investigates African American roots tourism, a complex, poignant kind of travel that provides profound personal and collective meaning for those searching for black identity and heritage. It also provides, as Pinho's interviews with Brazilian tour guides, state officials, and Afro-Brazilian activists reveal, economic and political rewards that support a structured industry. Pinho traces the origins of roots tour...
Offers examples of oral narratives and literature from the nineteenth century to the present
Ends of Assimilation examines how Chicano literature imagines the conditions and costs of cultural change, arguing that its thematic preoccupation with assimilation illuminates the function of literature. John Alba Cutler shows how mid-century sociologists advanced a model of assimilation that ignored the interlinking of race, gender, and sexuality and characterized American culture as homogeneous, stable, and exceptional. He demonstrates how Chicano literary works from the postwar period to the present understand culture as dynamic and self-consciously promote literature as a medium for influencing the direction of cultural change. With original analyses of works by canonical and noncanonical writers--from Am rico Paredes, Sandra Cisneros, and Jimmy Santiago Baca to Estela Portillo Trambley, Alfredo V a, and Patricia Santana--Ends of Assimilation demands that we reevaluate assimilation, literature, and the very language we use to talk about culture.
The Pan American Games, second only to the Olympics as the biggest international sports competition in the world, are held every four years (during the year prior to the Summer Olympics) under the sponsorship of the International Olympic Committee. This book lists the results of the Pan American Games from their commencement in 1951 through 1999. Los Juegos Panamericanos, los segundos mas importantes del mundo tras los Olimpicos, se han venido celebrando cada cuatro anos desde 1951. Se incluye en el presente trabajo bilingue un recuento de los resultados reflejados en dichos juegos a lo largo de su historia, desde los comienzos hasta los mas recientes, celebrados en 1999.