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Haitian Vodou Flags
Once little known outside of Haiti, Vodou flags have become popular commodities in the international art market. Inspired by myths, legends, and unique personal visions, the artists of Vodou flags interweave sacred, time-honored designs with contemporary images as they produce captivating works that are both ancient and modern. 44 full-color photos.
Modern Irish Literature and the Primitive Sublime
Modern Irish Literature and the Primitive Sublime reveals the primitive sublime as an overlooked aspect of modern Irish literature as central to Ireland’s artistic production and the wider global cultural production of postcolonial literature. A concern for and anxiety about the primitive persists within modern Irish culture. The “otherness” within and beyond Ireland’s borders offers writers, from the Celtic Revival through independence and partition to post-9/11, a seductive call through which to negotiate Irish identity. Ultimately, the disquieting awe of the primitive sublime is not simply a momentary recognition of Ireland’s primitive indigenous history but a repeated rhetorical gesture that beckons a transcendent elation brought about by the recognition of the troubled, ritualistic and sacrificial Irish past to reveal a fundamental aspect of the capacity to negotiate identity, viewed through another but intimately reflective of the self, within the long emerging twentieth-century Irish nation.
Muffler Men
How creations welded from the scrapheap have become a folk art rage "Muffler men are the cigar-store Indians of the late 20th century, trade figures made to stand in front of shops to advertise what is sold inside. Both are considered forms of folk art, but the skinny metal figures with shimmering muffler heads and torsos and pipe-thin legs found outside auto repair shops are wittier, more imaginative and flamboyantly painted. . . ." -Rita Reif, The New York Times Art can appear in the most unexpected places. Muffler men, for example, have become one of the most striking and remarkable of recent folk art creations. From Walla Walla to Daytona quirky mannikins constructed from discarded autom...
The Dark Tree
In the early 1960s, pianist Horace Tapscott gave up a successful career in Lionel Hampton’s band and returned to his home in Los Angeles to found the Pan Afrikan Peoples Arkestra, a community arts group that focused on providing community-oriented jazz and jazz training. Over the course of almost forty years, the Arkestra, together with the related Union of God’s Musicians and Artists Ascension collective, was at the forefront of the vital community-based arts movement in Black Los Angeles. Some three hundred artists—musicians, vocalists, poets, playwrights, painters, sculptors, and graphic artists—passed through these organizations, many ultimately remaining within the community and others moving on to achieve international fame. In The Dark Tree, Steven L. Isoardi draws on one hundred in-depth interviews with the Arkestra’s participants to tell the history of the important and largely overlooked community arts movement of Black Los Angeles. This revised and updated edition brings the story of the Arkestra up to date, as its ethos and aesthetic remain vital forces in jazz and popular music to this day.
Geographies of Relation
Geographies of Relation offers a new lens for examining diaspora and borderlands texts and performances that considers the inseparability of race, ethnicity, and gender in imagining and enacting social change. Theresa Delgadillo crosses interdisciplinary and canonical borders to investigate the interrelationships of African-descended Latinx and mestizx peoples through an analysis of Latin American, Latinx, and African American literature, film, and performance. Not only does Delgadillo offer a rare extended analysis of Black Latinidades in Chicanx literature and theory, but she also considers over a century’s worth of literary, cinematic, and performative texts to support her argument abou...
King of the Western Saddle
The saddle has become an American icon. One of the most famous saddle makers is Donald L. King of Sheridan, Wyoming. This fascinating study of the Sheridan saddle and its creator not only highlights King's contributions but also traces the origins of the western saddle to its roots in Mexico and Spain. 24 color plates. 38 b&w illustrations.
Botánica Los Angeles
Material expressions of spiritual belief are integral components of the Los Angeles landscape. Cathedrals, temples, churches, and shrines dot the city, but they are not the only sites where notions of the divine, or at least the supernatural, are made visible. Reflecting the broad ethnic and cultural reconfiguration of Southern California in recent years, botanicas have emerged as one of the most frequent purveyors of sacramental items. This book explores these fascinating venues and their role in transmitting, transforming, and critiquing traditional faiths. An ever-evolving combination of spiritual center, religious supply house, and alternate healthcare facility, the botanica is generally associated with folk Catholicism and other Latin American religious traditions. Vivid photographs and essays describe these sites of spirit-infused artistry, ceremonial activity, and community building. Patrick Arthur Polk is visiting assistant professor of world arts and cultures at UCLA. Other contributors include Donald J. Cosentino, Ysamur Flores-Pena, Miki Garcia, Claudia J. Hernandez.
The Caribbean Oral Tradition
The book uses an innovative prism of interorality that powerfully reevaluates Caribbean orality and innovatively casts light on its overlooked and fundamental epistemological contribution into the formation of Caribbean philosophy. It defines the innovative prism of interorality as the systematic transposition of previously composed storytales into new and distinct tales. The book offers a powerful consideration of the interconnections between Caribbean orality and Caribbean philosophy, especially as this pertains to aesthetics and ethics. This is a new area of thought, a new methodological approach and a new conceptual paradigm and proposition to scholars, students, writers, artists and intellectuals who conceive and examine intellectual and cultural productions in the Black Atlantic world and beyond.
Self-taught Art
The first book to give self-taught art the same degree of scholarly attention and critical thinking that mainstream art traditionally receives
Practicing Applied Anthropology Across Discontinuous Social Fields
This book covers the author’s field experiences as an ethnographer in one country of Central America and an applied anthropologist in four US regions. A range of social fields are examined, which include: constructing a work experience table as a composite job resumé; correspondence with a maximum security prisoner for more than ten years; design features for multiple choice testing; farmworker sero-prevalence reports; health-seeking behavior among the Ngöbé (indigenous people in Central America); HIV/AIDS education in rural farm labor camps; Latinx naming practices for grocery stores and restaurants in agricultural areas; organizational capacity building assistance training; and teaching students in a community college and three secondary schools, among others. The book highlights the importance of incorporating ethnography in the completion of work tasks across a range of social fields, which represent diverse socio-cultural groups and immigrant populations.
