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Asylum
A story of self-obsession narrated by the point of view of a psychiatrist, published as a Penguin Essential for the first time. As a psychiatrist in a top-security mental hospital in the 1950s, Peter Cleave has made a study of what he calls 'the catastrophic love affair characterized by sexual obsession.' His experience is extensive, and he is never surprised. Until, that is, he comes reluctantly to accept that the wife of one of his colleagues has embarked on such an affair...
Patrick McGrath
Patrick McGrath is one of Britain's foremost contemporary novelists but very little has been written about his work to date. This new book offers readings of McGrath's fiction informed by recent scholarship and evaluates his creative contribution to the continuation of the Gothic tradition into the twenty-first century.
The Wardrobe Mistress
***SHORTLISTED FOR THE WALTER SCOTT PRIZE FOR HISTORICAL FICTION*** From the bestselling author of Asylum, Trauma and Spider 'Ghosts of the theatre and the spectre of fascism haunt cold and grimy London in this atmospheric tale from a master of the grotesque.' Guardian JANUARY 1947. London is in ruins, there’s nothing to eat, and it’s the coldest winter in living memory. To make matters worse, Charlie Grice, one of the great stage actors of the day, has suddenly died. His widow Joan, the wardrobe mistress, is beside herself with grief. Then one night she discovers Gricey’s secret. Plunged into a dark new world, Joan realises that though fascism might hide, it never dies. Her war isn’...
Patrick McGrath
This book is the first collected volume to be entirely dedicated to the work of contemporary Anglo-American writer Patrick McGrath. It follows the international conference that was held in his presence at Perpignan University, France, in May 2011. It comprises nine chapters (as well as an introduction and an index) written by scholars specializing in Gothic and American literature, each dealing with specific aspects of McGrath’s work. The volume seeks to encompass the author’s whole literary production to date, spanning a 25-year writing career. It also features an exclusive afterword written by the author himself, who attended all the papers given during the conference with great attent...
Last Days in Cleaver Square
FROM THE INTERNATIONAL BESTSELLING AUTHOR OF ASYLUM, TRAUMA AND THE WARDROBE MISTRESS 'Wonderful, thrilling' JOHN BANVILLE 'Has pleasure on every page' TIMES It's 1975 and Francis McNulty, ageing poet, retired, is living in his childhood home in Cleaver Square with his daughter Gilly. Haunted by memories of the Spanish Civil War, in which he drove an ambulance, he sees awful visions of his old nemesis, General Franco, and is powerfully reminded of a terrible act of betrayal he committed in Spain. When Gilly announces her upcoming marriage, Francis is forced to confront his past, once and for all. 'Impressive' GUARDIAN 'A very moving portrayal of a complicated father-daughter relationship, neither of them fully able to break away' RACHEL JOYCE
Spider
Spider is gaunt, threadbare, unnerved by everything from his landlady to the smell of gas. He tells us his story in a storm of beautiful language that slowly reveals itself as a fiendishly layered construction of truth and illusion. With echoes of Beckett, Poe, and Paul Bowles, Spider is a tale of horror and madness, storytelling and skepticism, a novel whose dizzying style lays bare the deepest layers of subconscious terror.
Blood and Water and Other Stories
Dark, unnerving, and wickedly funny, Patrick McGrath’s acclaimed short stories deal in the bizarre, the erotic, and the unexpected. A failed writer meets an ageing gin-queen who claims he was once visited by an angel; a little girl finds a delirious, dying explorer from the Congo at the bottom of her back garden; a nightclub is terrorized by a strange libidinous hand; and a young Victorian lady sails to India to find her fiancé Cecil horribly transformed...
Patrick McGrath and his Worlds
Following the publication of Ghost Town (2005), a complex, globally conscious genealogy of millennial Manhattan, McGrath’s transnational status as an English author resident in New York, his pointed manipulation of British and American contexts, and his clear apprehension of imperial legacies have all come into sharper focus. By bringing together readings cognizant of this transnational and historical sensitivity with those that build on existing studies of McGrath’s engagements with the gothic and madness, Patrick McGrath and his Worlds sheds new light on an author whose imagined realities reflect the anxieties, pathologies, and power dynamics of our contemporary world order. McGrath’...
