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Shane Lavalette
In May 2017, the Fotostiftung Schweiz commissioned American photographer Shane Lavalette to photograph a dozen Swiss towns with a view to piecing together a portrait of the country as a whole. He photographed Carona, Gais, Rüderswil, Saignelégier, Saint-Saphorin, Sainte-Croix, Schwyz, Stammheim, Vicosoprano, Visperterminen, Wil and Zuoz. About eighty years ago, the same communities were photographed by Swissh photographer Theo Frey for the 1939 Swiss National Exhibition (Schwizerische Landesausstellung). Still (Noon) juxtaposes these old and new views of rural life in Switzerland to offer up an unusual and moving portrait of a nation.
House documents
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British Paintings in the Metropolitan Museum of Art, 1575-1875
Covering the period between the late 16th century through to the third quarter of the 19th century, this book features paintings by English, Scottish, Welsh and Irish artists which are part of the collection of the Metropolitan Museum of Art.
Delacroix and the Rise of Modern Art
A handsome volume exploring Delacroix's works, his artistic contemporaries, and the generations of great artists he inspired Eugène Delacroix (1789-1863), a dominant figure in 19th-century French art, was a complex and contradictory painter whose legacy is deep and enduring. This important, beautifully illustrated book considers Delacroix in his own time, alongside contemporaries such as Courbet, Fromentin, and the poet Charles Baudelaire, as well as his significant influence on successive generations of artists. Delacroix's paintings and his posthumously published Journals laid crucial groundwork for immediate successors including Cézanne, Degas, Manet, Monet, and Renoir. Later admirers i...
Psychosocial Spaces
"He next examines Sophia Lee's novel The Recess, along with prints and sketches of ruins, to place the monastic ruin at the focus of desire to repress discontinuity in the past, which in turn permitted individuals to conceive of constructing identity based on genealogy. Then, through a study of Henry Fielding's Amelia, he discusses portrait miniatures and silhouettes as fetishized symbols of erotic ties, showing how images of a beloved, with their promises for the future, were used as a basis for constructing individual identity."--Jacket.
Richard Parkes Bonington
This catalogue raisonné of Bonington's oil and watercolour paintings has analysis and reproductions of over 400 artworks now indisputably attributed to him. The book sets Bonington's achievement in the context of the intellectual, social and artistic ferment of high romanticism.
