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The Architectural Association in the Postwar Years
In the period following the Second World War, the Architectural Association (AA) became the only British school of architecture of truly global renown. It was one of only two schools in the world which fully embraced and promoted the pedagogical ideals put forward by CIAM (Congres Internationaux d'Architecture Moderne) - the other being Walter Gropius's Harvard Graduate School of Design - and emerged as an admired example for architectural education in other countries. Many of the most famous British architects and critics of the past 60 years attended the AA, including Ahrends, Burton + Koralek, Alan Colquhoun and John Miller, Jeremy Dixon and Edward Jones, Frank Duffy, Eldred Evans, Kennet...
John Outram
This is the first major study of John Outram, whose decorative yet elemental architecture has captured the popular imagination. Outram launched his own architectural practice in 1974, soon securing a reputation for innovative, creative and monumental buildings. Their brilliant colours and exuberant gestures earned him a reputation as a post-modernist, but this book explores their deeper background in architectural history, metaphysics and mythology. In addition to the major buildings – including The New House at Wadhurst, the Isle of Dogs Pumping Station and the Judge Institute – the book examines unrealised projects, including Bracken House and Ludgate in the City of London. Running thr...
Inventing the Built Environment
Why and how was the term ‘built environment’ first introduced? Inventing the Built Environment retrieves the origin of this ubiquitous term. The articulation of the ‘built environment,’ Kei demonstrates, coincided with the redefinition of education, research, and professional practices in architecture and town planning in 1960s Britain. Concentrating on the half-decade during which the term permeated the architectural and planning professions, this book recalls a time when the ‘built environment’ was conceived as a part of the British government’s effort in national economic planning. Inventing the Built Environment unpacks the proposal for a Research Council for the Built Envi...
Designs on Democracy
Designs on Democracy examines a pivotal period in the formation of the modern profession of architecture in Britain. It shows how architects sought to meet the newly articulated demands of a mass democracy in the wake of the First World War. It does so by providing a vivid picture of architectural culture in interwar London, the Imperial metropolis, drawing on histories of design, practice, professionalism, and representation. Most accounts of this period tend to deal exclusively with the emergence of Modernism; this study takes a different approach, encompassing a much broader perspective on the liberal professional consensus that held sway, including architecture's mainstream and its so-ca...
Peter Moro and Partners
Peter Moro is the forgotten co-designer of the Royal Festival Hall. A German émigré who had worked with Berthold Lubetkin’s famed practice, Tecton, in the 1930s, Moro was drafted in to help realise the Festival Hall in just two short years, in time for the Festival of Britain in 1951. With a team of his former students, he created many of the interiors we see today. For Moro, the Festival Hall was a stepping-stone to a career designing many of Britain’s finest post-war theatres, particularly Nottingham Playhouse, Plymouth Theatre Royal, and the renovated Bristol Old Vic. He and his colleagues also designed some exceptional one-off houses, as well as exhibitions, university buildings, s...
Denise Scott Brown In Other Eyes
50 years Learning from Las Vegas From the bustle of Johannesburg to the neon of Las Vegas, Denise Scott Brown’s advocacy for "messy vitality" has transformed the way we look at the urban landscape. Unconventional, eloquent, and with a profound sociopolitical message, Scott Brown is one of our era’s most influential thinkers on architecture and urbanism. The anthology Denise Scott Brown. In Other Eyes – marking the 50th anniversary of the seminal treatise Learning from Las Vegas – paints a portrait of Scott Brown as seen through the eyes of leading architectural historians and practitioners. It features new scholarship on her education on three continents, her multidisciplinary teaching, and her use of urban patterns and forces as tools for architectural design – a practice documented in a new comment by Scott Brown, noting that sometimes "1+1>2." With contributions by Mary McLeod, Joan Ockman, Sylvia Lavin, Stanislaus von Moos, Jacques Herzog, Robin Middleton, and Denise Scott Brown, among others A comprehensive portrait of one of contemporary architecture’s most significant personalities
The Oxford Handbook of Numerical Cognition
Numbers are vital to so many areas of life: in science, economics, sports, education, and many aspects of everyday life from infancy onwards. This handbook brings together the different research areas that make up the vibrant field of numerical cognition in one comprehensive and authoritative volume.
Archigram
The title Archigram came from the notion of a more simple and urgent item than a Journal, like a telegram or aerogramme - hence, "archi(tecture)-gram."".
Neurobiology of Decision-Making
Neuroscience has paid only little attention to decision-making for many years. Although no field of science has cohered around this topic, a variety of researchers in different areas of neuroscience ranging from cellular physiology to neuropsychology and computational neuroscience have been engaged in working on this issue. Thus, the time seemed to be ripe to bring these researchers together and discuss the state of the art of the neurobiology of decision-making in a broad forum. This book is a collection of contributions presented at that forum in Paris in October 1994 organized by the Fondation IPSEN.
Raw Concrete
AN OBSERVER BOOK OF THE YEAR Beginning in a tiny hermitage on the remote north Scottish coast, and ending up backstage at the National Theatre, Raw Concrete embarks on a wide-ranging journey through Britain over the past sixty years, stopping to examine how eight extraordinary buildings were made - from commission to construction - why they have been so vilified, and why they are beginning to be loved.
