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Patrocino Barela emerged in 1936 as one of America's most important artists when he was featured in a show of Federal Art Project artists in New York's Museum of Modern Art. He was the first Mexican-American artist to receive such a high degree of recognition. His carvings in native juniper wood depict deep psychological and mystical insights into the human condition. Barela's art is not easily classified although his carvings display parallels to Romanesque art in their narrative quality and to Modernism in their sophisticated definition of space. There is also the aspect of the primitive, or of Eros, as Barela is in touch with the life force, the deepest level of humanity shared by all peo...
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The Collector’s Guide strives to be a trusted partner in the business of art by being the most knowledgeable, helpful and friendly resource to New Mexico’s artists, art galleries, museums and art service providers. Through a printed guidebook, the World Wide Web and weekly radio programs, we serve art collectors and others seeking information about the art and culture of New Mexico.
The Collector’s Guide strives to be a trusted partner in the business of art by being the most knowledgeable, helpful and friendly resource to New Mexico’s artists, art galleries, museums and art service providers. Through a printed guidebook, the World Wide Web and weekly radio programs, we serve art collectors and others seeking information about the art and culture of New Mexico.
The Collector’s Guide strives to be a trusted partner in the business of art by being the most knowledgeable, helpful and friendly resource to New Mexico’s artists, art galleries, museums and art service providers. Through a printed guidebook, the World Wide Web and weekly radio programs, we serve art collectors and others seeking information about the art and culture of New Mexico.
Americans agree about government arts funding in the way the women in the old joke agree about the food at the wedding: it's terrible--and such small portions! Americans typically either want to abolish the National Endowment for the Arts, or they believe that public arts funding should be dramatically increased because the arts cannot survive in the free market. It would take a lover of the arts who is also a libertarian economist to bridge such a gap. Enter Tyler Cowen. In this book he argues why the U.S. way of funding the arts, while largely indirect, results not in the terrible and the small but in Good and Plenty--and how it could result in even more and better. Few would deny that Ame...
The New Mexico difference -- The roots of dependence -- The mystique of the village -- Assault on Arcadia -- The New Mexico, Mexico, new deal connection -- Federal relief comes to New Mexico -- Implementing the cultural agenda -- Restoring village lands -- The final years and later -- Reprise.
Charles Montgomery's compelling narrative traces the history of the upper Rio Grande's modern Spanish heritage, showing how Anglos and Hispanos sought to redefine the region's social character by glorifying its Spanish colonial past. This readable book demonstrates that northern New Mexico's twentieth-century Spanish heritage owes as much to the coming of the Santa Fe Railroad in 1880 as to the first Spanish colonial campaign of 1598. As the railroad brought capital and migrants into the region, Anglos posed an unprecedented challenge to Hispano wealth and political power. Yet unlike their counterparts in California and Texas, the Anglo newcomers could not wholly displace their Spanish-speaking rivals. Nor could they segregate themselves or the upper Rio Grande from the image, well-known throughout the Southwest, of the disreputable Mexican. Instead, prominent Anglos and Hispanos found common cause in transcending the region's Mexican character. Turning to colonial symbols of the conquistador, the Franciscan missionary, and the humble Spanish settler, they recast northern New Mexico and its people.
From among his numerous publications, award-winning author Max Evans has selected his personal favorites. The more than thirty pieces include short novels, essays, short stories, introductions to other works, and magazine articles spanning several genres and most of his writing career. Through them all runs a common thread: the understanding of and love Evans has for the West and its peoples, and his ability to convey that understanding with humor and compassion. Included works: Short novels Xavier's Folly One Eyed Sky The Wild One Old Bum My Pardner Essays "Sam Peckinpah: A Very Personal Remembrance" "King John" "Long John Dunn" "Dinner with Frank Waters" "Riding the Outside Circle in Holly...
Much knowledge and understanding can be generated from the experiences of everyday life. In this engaging study, Alvin O. Korte examines how this concept applies to Spanish-speaking peoples adapted to a particular locale, specifically the Hispanos and Hispanas of northern New Mexico. Drawing on social philosopher Alfred Schutz’s theory of typification, Korte looks at how meaning and identity are crafted by quotidian activities. Incorporating phenomenological and ethnomethodological strategies, the author investigates several aspects of local Hispano culture, including the oral tradition, leave-taking, death and remembrances of the dead, spirituality, and the circle of life. Although avoiding a social-problems approach, the book devotes necessary attention to mortificación (the death of the self), desmadre (chaos and disorder), and mancornando (cuckoldry). Nosotros is a vivid and insightful exploration with applications in numerous fields.