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Warren Commission Report is the result of the investigation regarding the assassination of United States President John F. Kennedy. The U.S. Congress passed Senate Joint Resolution 137 authorizing the Presidential appointed Commission to report on the assassination of President John F. Kennedy, mandating the attendance and testimony of witnesses and the production of evidence. After eleven months of the investigation the Commission presented its findings in 888-page final report. The key findings presented in this report were that President Kennedy was assassinated by Lee Harvey Oswald, that Oswald acted entirely alone and that Jack Ruby also acted alone when he killed Oswald two days later. The Commission's findings have proven controversial and have been both challenged and supported by later studies.
The President's Commission on the Assassination of President Kennedy, known unofficially as the Warren Commission, was established by President Lyndon B. Johnson through Executive Order 11130 on November 29, 1963 to investigate the assassination of United States President John F. Kennedy that had taken place on November 22, 1963. This book includes the Commission's report, which was based on the investigation, as well as all the supporting documents collected during the investigation, and the testimony or depositions of 552 witnesses.
This book includes the Commission's report, which was based on the investigation, as well as all the supporting documents collected during the investigation, and the testimony or depositions of 552 witnesses. The President's Commission on the Assassination of President Kennedy, known unofficially as the Warren Commission, was established by President Lyndon B. Johnson through Executive Order 11130 on November 29, 1963 to investigate the assassination of United States President John F. Kennedy that had taken place on November 22, 1963.
Marvell: The Writer in Public Life is substantially revised from Professor Patterson's well received 1978 study, including a new introduction and new chapter on Marvell and secret history. This important study provides an up to date perspective on a writer still thought of merely as the author of lyric and pastoral poems. It looks at both Marvell's political poetry and his often neglected political prose, revealing Marvell's life long commitment to writing about the values and standards of public life and follows his often dangerous writerly activities on behalf of freedom of conscience and constitutional government.
Augustine, Pertile and Zwicker celebrate the work of Andrew Marvell (1621-1678) in the quatercentenary year of his birth, combining the best historical scholarship with a varied and ambitious programme of cognitive, affective, and aesthetic inquiry. The essays have been specially commissioned for the quatercentenary and include the work of a range of scholars from Britain and North America. Acknowledged masterpieces such as the 'Horatian Ode', 'The Garden', and 'Upon Appleton House' are here read in light of historical and material evidence that has emerged in recent decades. At the same time, the volume offers many fresh points of entry into Marvell's work, with particular attention to the ...
Her perfect night out just became her worst nightmare… Lauren returns home from celebrating her engagement with friends and stumbles as she gets out of the taxi. So what if her best friend Sienna didn’t show up? Lauren had a good night anyway. As she walks towards the small house she shares with her fiancé, Robbie, she’s surprised to see every window in total darkness. And when she calls his name, the house remains silent. Where is Robbie? Kicking off her red heels, Lauren heads towards her bedroom, feeling more nervous with every step. And when she opens the door, she immediately knows something is very wrong. The sickly metallic smell sobers her up instantly. And there is someone in...
This monograph studies how, across the Folio of 1681, Marvell's poems engage not merely with different kinds of loss and aspiration, but with experiences of both that were, in mid-seventeenth-century England, disturbingly new and unfamiliar. It particularly examines Marvell's preoccupation with the search for home, and with redefining the homeland, in times of civil upheaval. In doing so it traces his progression from being a poet who plays sophisticatedly with received myth to being one who is a national mythmaker in rivalry with his poetic contemporaries such as Waller and Davenant. Although focusing primarily on poems in the Folio of 1681, this book considers those poems in relation to others from the Marvell canon, including the Latin poems and the satires from the reign of Charles II. It closely considers them as well in relation to verse by poets from the classical past and the European, especially English, present.