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Censorship and Interpretation
Annabel Patterson explores the effects of censorship on both writing and reading in early modern England, drawing analogies and connections with France during the same period.
Hermogenes and the Renaissance
Annabel M. Patterson offers here a reassessment of the place of Hermogenes, a Greek rhetorician of the second century A.D., in literary history. She shows that the literary men of the European Renaissance-scholars, critics, and poets-found Hermogenes' Concerning Ideas both important and extremely useful, and she finds that they vigorously applied his concepts to create "a lovely conformitie." The author first gives the history of this treatise on style and a detailed critical analysis of the Seven Ideas or categories of style. The book then demonstrates genre by genre how knowledge of the Seven Ideas can improve one's understanding of poetic development, especially in England, and reveals ho...
Reading Between the Lines
For those exhausted by the highly charged debates and polarized climate of literary studies today, Annabel Patterson's Reading Between the Lines offers a strategic compromise: a moderate stance between the radical opponents and the zealous protectors of the traditional Western canon. She reconsiders the value of reading the white, male, canonical writers of antiquity and of early modern England, finding in them a set of values different from those supposed by both sides in the Great Books quarrel. Rather than being the unthinking or deliberate promoters of political or cultural uniformity, these writers subjected such conventional notions to critical scrutiny and even promoted alternatives. ...
The International Novel
Annabel Patterson here turns her well-known concern with political history in early modern England into an engine for investigating our own era and a much wider terrain. The focus of this book is, broadly, nationalism and internationalism today, approached not theoretically but through the lens of fiction. Novels are uniquely capable of dealing with abstract problems by embodying them in the experience of persons, thereby rendering them more “real.” Patterson takes twelve novels from (almost) all over the world: India, Africa, Turkey, Crete, the Balkans, Palestine, Afghanistan, South America, and Mexico, novels which illustrate the dire effects of some of the following: imperialism, partition, annexation, ethnic and religious strife, boundaries redrawn by aggression, the virus of dictatorships, the vulnerability of small countries, and the meddling of the Great Powers. All are highly instructive, and excellent reads.
Marvell
Marvell: The Writer in Public Life is substantially revised from Professor Patterson's well received 1978 study, including a new introduction and new chapter on Marvell and secret history. This important study provides an up to date perspective on a writer still thought of merely as the author of lyric and pastoral poems. It looks at both Marvell's political poetry and his often neglected political prose, revealing Marvell's life long commitment to writing about the values and standards of public life and follows his often dangerous writerly activities on behalf of freedom of conscience and constitutional government.
Milton's Words
Showing how Milton used words in the extraordinary ways he did this book provides an account of Milton's writing life, before discussing 'keywords' - the keys to a text or a theory.
Pastoral and Ideology
00 Patterson follows the fortunes of Virgil's Eclogues from the Middle Ages to our own century. She argues that Virgilian pastoral spoke to the intellectuals of each place and time of their own condition. The study reinspects our standard system of periodization in literary and art history and challenges some of the current premises of modernism. Patterson follows the fortunes of Virgil's Eclogues from the Middle Ages to our own century. She argues that Virgilian pastoral spoke to the intellectuals of each place and time of their own condition. The study reinspects our standard system of periodization in literary and art history and challenges some of the current premises of modernism.
Andrew Marvell
This new study of Andrew Marvell offers a state-of-the-art guide to one of the most intriguing and elusive poets of the seventeenth century. Hero to the eighteenth century for his published defences of parliamentary government and religious toleration, Marvell was friend and defender of Milton, underground author of satires against the Restoration court, paradoxically, promoted by T.S. Eliot for a diametrically opposite set of qualities and achievements - poise, detachment, an ethos both world-excluding and hypercivilised, not to mention the most perfect poems we have on the figure in the landscape. Annabel Patterson, known for her ability to make serious scholarship engaging, explains how Marvell's complex personality and beliefs produce these contradictory responses. The book provides comprehensive introductions to Marvell's different self-representations, and places the most famous poems, such as The Garden and Horatian Ode, in the dialectic they lose when read only in anthologies.
Shakespeare and Popular Voice
In Shakespeare and the Popular Voice Annabel Patterson challenges as counter-intuitive the common opinion that Shakespeare was anti-democratic, contemptuous of the crowd and an unfailing supporter of Elizabethan social hierarchy.
