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It is July 4,2009. The small rural town of Ninety Six, SC, has an all day celebration. The day begins with a parade led by antique autos, motorcycles, decorated bicycles, and horses at the rear. Bronco Manley and his friends are dressed like Indians. They sneak out of the parade to whoop and holler and scare their girlfriends. They are typical teenage pranksters. Later, Bronco is too close to the fireworks pre-test and the explosion throws him back in time. Again he finds himself in the old village of 96 in the year of 1760. He relives the explosion of the ammunition shed and discovers that Shad and his Indian friends have stolen all the guns and weapons. Bronco and his two young friends tra...
"Walks to the Paradise Garden is the last unpublished manuscript of the late American poet, photographer, publisher and bon viveur Jonathan Williams (1929-2008). This book chronicles Williams' road trips across the Southern United States with photographers Guy Mendes and Roger Manley in search of the most authentic and outlandish artists the South had to offer. Williams describes the project thus: 'The people and places in Walks to the Paradise Garden exist along the blue highways of America.... We have traveled many thousands of miles, together and separately, to document what tickled us, what moved us, and what (sometimes) appalled us.' The majority of these road trips took place in the 1980s, a pivotal decade in the development of Southern 'yard shows' and many of the artists are now featured in major institutions. This book, however, chronicles them at the outset of their careers and provides essential context for their inclusion in the art historical canon"--Back cover.
In 1933, Genevieve Yost, Kansas State Historical Society cataloger, published a "History of Lynching in Kansas." The present book is a development of that work, researched with the benefit of modern technology. The author locates 58 lynchings Yost missed and removes 19 from her list that for various reasons are not lynchings in Kansas. Yost apparently catalogued her 123 entries, some containing up to six names, based on her newspaper sources' headlines, not the actual stories on the lynchings. Her catalog places some events in counties that did not exist at the time of the lynching. In this book, errors in her data are corrected: misspelled names, incorrect places and dates, and the number of victims per incident. In agreement with Yost, the author finds that most of the victims were white men who were horse thieves, their deaths taking place in the eastern tier of counties bordering Missouri, an area then and now where most Kansans lived. The last lynching in Kansas took place in 1932 in the extreme northwest of the state, and an interview of an eyewitness is included.
Capturing the distinct rhythms of Jamaican life and dialect, Nicole Dennis- Benn pens a tender hymn to a world hidden among pristine beaches and the wide expanse of turquoise seas. At an opulent resort in Montego Bay, Margot hustles to send her younger sister, Thandi, to school. Taught as a girl to trade her sexuality for survival, Margot is ruthlessly determined to shield Thandi from the same fate. When plans for a new hotel threaten their village, Margot sees not only an opportunity for her own financial independence but also perhaps a chance to admit a shocking secret: her forbidden love for another woman. As they face the impending destruction of their community, each woman—fighting to balance the burdens she shoulders with the freedom she craves—must confront long-hidden scars. From a much-heralded new writer, Here Comes the Sun offers a dramatic glimpse into a vibrant, passionate world most outsiders see simply as paradise.
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Among Golden Age Hollywood film stars of European heritage known for playing characters from the East--Chinese, Southeast Asians, Indians and Middle Easterners--Anglo-Indian actor Boris Karloff had deep roots there. Based on extensive new research, this biography and career study of Karloff's "eastern" films provides a critical examination of 41 features, including many overlooked early roles, and offers fresh perspective on a cinematic luminary so often labeled a "horror icon." Films include The Lightning Raider (1919), 14 silent films from the 1920s, The Unholy Night (1929), The Mask of Fu Manchu (1932), The Mummy (1932), John Ford's The Lost Patrol (1934), the Mr. Wong series (1938-1940), Targets (1968), and Isle of the Snake People (1971), one of six titles released posthumously.