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The Women of Warner Brothers
The lives and careers of Warner Brothers' screen legends Joan Blondell, Nancy Coleman, Bette Davis, Olivia de Havilland, Glenda Farrell, Kay Francis, Ruby Keeler, Andrea King, Priscilla Lane, Joan Leslie, Ida Lupino, Eleanor Parker, Ann Sheridan, Alexis Smith, and Jane Wyman are the topic of this book. Some achieved great success in film and other areas of show business, but others failed to get the breaks or became victims of the studio system's sometimes unpleasant brand of politics. The personal and professional obstacles that each actress encountered are here set out in detail, often with comments from the actresses who granted interviews with the author and from those people who knew them best on and off the movie set. A filmography is included for each of the fifteen.
In This Together
A collection of essays about reconciliation and anti-racism by Indigenous and non-Indigenous contributors from across Canada.
Modern Acrylics
Over the past decade, manufacturers have made drastic improvements to acrylic paint that make it wonderfully appealing to the fine artist. An extensive array of acrylic mediums is available, allowing artists to lengthen the drying time of the paint, completely alter the paint's consistency, add an iridescent sheen, and much more. This book offers all the information a contemporary artist needs to be on the cutting edge of this versatile medium.
ohpikinâwasowin / Growing a Child
Western theory and practice are over-represented in child welfare services for Indigenous peoples, not the other way around. Contributors to this collection invert the long-held, colonial relationship between Indigenous peoples and systems of child welfare in Canada. By understanding the problem as the prevalence of the Western universe in child welfare services rather than Indigenous peoples, efforts to understand and support Indigenous children and families are fundamentally transformed. Child welfare for Indigenous peoples must be informed and guided by Indigenous practices and understandings. Privileging the iyiniw (First people, people of the land) universe leads to reinvigorating tradi...
Rethinking Acrylic
Have you ever walked into an art supply store, stood in front of the amazing array of acrylic products and just thrown up your hands in confusion, leaving the store without buying something new to experiment with? If you've ever wondered what to do with all those products, then this book is for you. If you've been using acrylic in traditional painting forms, in this book you'll find grand, wild and inventive manipulations of acrylic that will get your creative juices flowing. Compared to more traditional art mediums such as oil and watercolor, acrylic is still in its infancy. But what it lacks in years, it makes up for in its range of use. Acrylics appeared on the market for artists in the l...
Claiming the City
The author brings together the voices of citizens and workers and the power dynamics of civic leaders including James J. Hill and Archbishop John Ireland.
Columbia Pictures Movie Series, 1926-1955
Blondie, Boston Blackie, Ellery Queen, The Lone Wolf, Gasoline Alley, Jungle Jim... There were 27 film series produced and released by Columbia Pictures from 1926 through 1955. This reference book covers the origins of the popular fictional characters featured, as well as their appearances in other media (comics, novels, radio and television). Also provided are thumbnail biographies of the actors who brought these characters to life. The films themselves are examined in detail, with release dates, cast and production credits, synopses, reviews, the author's summation, the publicity "tag lines," and the songs heard. Additionally, most of the outdoor locations used in filming such Columbia western series as Wild Bill Saunders and The Durango Kid are identified.
Eleanor Parker
This is the first book on enduring Hollywood star Eleanor Parker, long underrated despite three best actress Academy Award nominations (Caged, 1950; Detective Story, 1951; Interrupted Melody, 1955). Parker was a beauty as well as a versatile actress, and her achievements approach those of more publicized colleagues Bette Davis and Katharine Hepburn. With Parker's blessing and her son Paul Clemens' cooperation, Doug McClelland has written one of the most thorough examinations of a film star's career. The book is valuable to librarians, academies, and film enthusiasts for its extensive documentation and analyses of all of Parker's work, for the bibliographies of her coverage in books and perio...
Raoul Walsh
Raoul Walsh (1887–1980) was known as one of Hollywood’s most adventurous, iconoclastic, and creative directors. He carved out an illustrious career and made films that transformed the Hollywood studio yarn into a thrilling art form. Walsh belonged to that early generation of directors—along with John Ford and Howard Hawks—who worked in the fledgling film industry of the early twentieth century, learning to make movies with shoestring budgets. Walsh’s generation invented a Hollywood that made movies seem bigger than life itself. In the first ever full-length biography of Raoul Walsh, author Marilyn Ann Moss recounts Walsh’s life and achievements in a career that spanned more than ...
Success in the Cinema MoneyMaking Movies
Basically, there are three measures of success in the cinema. First off are pictures like "The Crowd" and "Applause" that achieve rave reviews and even go on to win awards, but don't recover their negative costs. Then there are the movies the critics hate, but the public enjoys. All three versions of "Back Street", for instance. Finally come the pictures everyone loves, like "From Here To Eternity" or "Sunset Boulevard". In the annals of success in Hollywood's Golden Age, one name stands out above all others: Cecil B. DeMille. His famous pictures reviewed here include both versions of "The Buccaneer", "The Crusades", "Sign of the Cross", "The Story of Dr Wassell" and "Union Pacific". But the book also notes a DeMille "B" movie that tied up a fair amount of money but proved so unpopular it was released in some territories as a support. The book also covers some of Hollywood's other disastrous failures, including the M-G-M movie that cost over $4 million to make and returned virtually nothing.
