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The 'Acts of Oblivion' were a series of seventeenth-century laws enacted by both Parliamentarian and Royalist factions. Whatever their ends — pardoning revolutionary deeds, or expunging revolutionary speech from the record — they forced the people to forget. Against such injunctions, Paul Batchelor's poems rebel. This long-awaited second collection, The Acts of Oblivion, listens in on some of England's lost futures, such as those offered by radical but sidelined figures in the English Civil War, or by the deliberately destroyed mining communities of North East England, remembered here with bitter, illuminating force. The book also collects the acclaimed individual poems 'Brother Coal' an...
Essential Dental Public Health, Second Edition is an ideal introduction for undergraduate dental students to the field of public health. With a strong emphasis on evidence-based medicine, this guide puts clinical practice in context with the help of a problem based approach to learning, illustrations and lists of further reading.
This is a growing sector undergoing a huge period of change - with local authorities able to build their own housing for the first time in decades. Social Housing: Definitions and Design Exemplars explores how social/affordable housing has been delivered and designed with success throughout the UK in the last 10 years. Weaving together exemplar case studies, essays and interviews with social housing pioneers and clients, this book demonstrates real-life best practice responses to the challenges associated with housing provision, with a focus on design ideas.
Barry MacSweeney was described as 'a contrary, lone wolf...[whose] ear for a soaring lyric melody was unmatched' (Nicholas Johnson, Independent). MacSweeney found fame with his first book, The Boy from the Green Cabaret Tells of his Mother, which appeared when he was just nineteen years old. But he soon retreated from the publicity, and for almost thirty years his poetry appeared only in small press publications. Identifying himself with Chatterton and Rimbaud, MacSweeney developed a poetics based on experiment and excess, from the fragmented lyricism of 'Brother Wolf' to the political anger of 'Jury Vet'; from the dizzying historical perspectives of Ranter to the nightmarish urban landscape...
The application of intelligent imaging techniques to industrial vision problems is an evolving aspect of current machine vision research. Machine vision is a relatively new technology, more concerned with systems engineering than with computer science, and with much to offer the manufacturing industry in terms of improving efficiency, safety and product quality. Beginning with an introductory chapter on the basic concepts, the authors develop these ideas to describe intelligent imaging techniques for use in a new generation of industrial imaging systems. Sections cover the application of AI languages such as Prolog, the use of multi-media interfaces and multi-processor systems, external device control, and colour recognition. The text concludes with a discussion of several case studies that illustrate how intelligent machine vision techniques can be used in industrial applications.
Roy Fisher is known internationally for his witty, anarchic poetry which plays the language, pleasures the imagination, and teases the senses. In Standard Midland, he confronts and worries at nuances of perception and the politics of understanding. Many of the poems are concerned with landscapes: experienced, imagined, or painted, particularly the scarred and beautiful North Midlands landscape in which he has lived for nearly thirty years.
This book begins by considering responses by French artists to the First World War, showing how Purism, Dada, and early Surrealism are related to the ethos of post-war reconstruction. The authors then discuss the language of construction in places as dissimilar as France, Germany, and the Soviet Union; the contrasting demands of the utility and decoration of objects and paintings; and the relationship of surrealism to questions of sexuality and gender and to Freudian theory. The book concludes by addressing the widespread debate over realism in art: whether it represents an alternative to the elitism of the avant-garde or whether avant-garde art should play a role in the development of a modern realism.
This richly illustrated book is a part-history, part-tribute, part-critical analysis of the Halas and Batchelor Cartoon Studio, Britain's leading and most influential animation company for over 50 years between 1940-1995. It draws on the archives of the Halas & Batchelor Collection and looks at the key works of the studio, including Animal Farm, Britain's first full-length animated feature; The Tales of Hoffnung, with the legendary Peter Sellers; the cult classics Autobahn, featuring the music of Kraftwerk, and Butterfly Ball, with the works of the Beatles illustrator.
A thrilling new collection from one of the most original poets of his generation "His work is a modernist swirl of sex, surrealism, urban life and melancholy with a jazzy backbeat." That praise appeared in the pages of The New York Times in 2005, but it applies no less to August Kleinzahler's newest collection. Kleinzahler's poetry is, as ever, concerned with permeability: Voices, places, the real and the dreamed, the present and the past, all mingle together in verses that always ring true. Whether the poem is three lines long or spans several pages; whether the voice embodied is that of "an adult male of late middle age, // about to weep among the avocados and citrus fruits / in a vast, ov...
In Red House, her third collection, Sasha Dugdale evokes the ghosts and presences that flit about on the margins of our lives. She finds them at the edge of towns where superstores and allotments blur an older landscape, in Europe where emigrants leave their gods, their neighbours, their memories 'jettisoned like old clothes'; and across the chalk Downs of her native Sussex. She traces the shapes that they leave through folk song, lament and lyric poetry. Haunted by history, confronted by primal brutalities, the poems in Red House proclaim the fierce, bright authenticity that is 'all the proof we need that we're alive'.