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Judas?
If you're from Hull you're either black and white or red and white. No ifs, no buts. Judas is the story of Paul Cooke, a gifted rugby league player who enjoyed glory at Hull FC on the west side of the city's rugby league divide - but caused outrage when he walked out of the club to join bitter rivals Hull Kingston Rovers. Magical on the pitch, Cooke was often in trouble off it. Growing up he loved Hull Kingston Rovers, but joined rivals Hull FC. His career flourished, but in 2007, Cooke walked out over a contract dispute. He made the switch to hated rivals Rovers; and became an instant target for abuse. His time in East Hull was dogged with more controversy, and while there were good times, he moved on to Wakefield before eventually turning his back on the game, to spend his time with his mother who had been diagnosed with cancer. After she sadly passed away, Cooke returned to rugby a changed man, to finish his playing career and embark on a new path in coaching. Brutally honest and self-critical, Cooke tells the painful truth in this book, alongside some glorious memories of sporting brilliance. It's the story of the player called 'Judas', Hull's most-hated rugby league son.
Contemporary German Cinema
German film is enjoying enormous levels of success, whether success is defined in terms of financial returns, popularity with audiences at home and abroad, or critical acclaim. The 2000s saw German productions become regular guests at all the major international film festivals, from Sundance to Tokyo, winning awards across the globe. As such, and as reviewers are keen to point out, the German industry appears to be reaching once again the aesthetic heights that brought it the international praise of critics from the late 1960s to the early 1980s. Also, domestic productions are becoming more popular and, as a result, more commercially viable. Contemporary German Cinema examines the success of...
Participatory Arts in International Development
This book explores the practical delivery of participatory arts projects in international development. Bringing together an interdisciplinary group of academics, international development professionals and arts practitioners, the book engages honestly with the competing challenges faced by the different groups of people involved. Participatory arts are becoming increasingly popular in international development circles, fuelled in part by the increased accessibility of audio-visual media in the digital age, and also by the move towards participatory discourses in the wake of the UN’s Agenda 2030. The book asks: What do participatory arts projects look like in practice, and why are they used...
Full, Full, Full of Love
Warm illustrations spice up this rhythmical ode to the joys of family and food — full, full, full of pleasures. For the youngest member of an exuberant extended family, Sunday dinner at Grannie’s can be full indeed — full of hugs and kisses, full of tasty dishes, full to the brim with happy faces, and full, full, full of love. With a special focus on the bond between little Jay Jay and his grannie, Trish Cooke introduces us to a gregarious family we are sure to want more, more, more of.
Comic Book Artist Collection Volume 3
It's the '70s Marvel Monster Marching Society versus the Independent Comics of the '80s in the Eisner Award-winning CBA's third compilation, re-presenting that acclaimed mag's seventh and eighth sold-out issues. Behind a new cover by Michael T. Gilbert -- featuring his great creation Mr. Monster doing battle with various Marvel monsters -- you'll find interviews with Gilbert, Steve Rude, Paul Gulacy, Steve Gerber, Don Simpson, Howard Chaykin, Scott McCloud, Rich Buckler, John Byrne, Denis Kitchen, and many others
Screening European Heritage
This book provides a unique examination of the way Europe’s past is represented on contemporary screens and what this says about contemporary cultural attitudes to history. How do historical dramas come to TV and cinema screens across Europe? How is this shaped by the policies and practices of cultural institutions, from media funding boards to tourist agencies and heritage sites? Who watches these productions and how are they consumed in cinemas, on TV and online?, are just some of the questions this volume seeks to answer. From The Lives of Others to Game of Thrones, historical dramas are a particularly visible part of mainstream European film production, often generating major national debates on the role of the past in contemporary national identity construction.
Bitch
'A dazzling, funny and elegantly angry demolition of our preconceptions about female behaviour and sex in the animal kingdom ... Bitch is a blast. I read it, my jaw sagging in astonishment, jotting down favourite parts to send to friends and reading out snippets gleefully...' Observer 'A book that is tearing down the stereotypes and the biases. Absolutely fascinating.' BBC R4 Woman's Hour 'From the heir to Attenborough. 5*' - Telegraph 'Glorious ... A bold and gripping takedown of the sexist mythology baked into biology ... Full of marvellous surprises. Guardian 'Colourful, committed and deeply informed.' Sunday Times 'Gloriously original' Daily Mirror A 'sparkling attack on scientific sexis...
Alienation and Alterity
Discussions of French 'identity' have frequently emphasised the importance of a highly centralised Republican model inherited from the Revolution. In reality, however, France also has a rich heritage of diversity that has often found expression in contingent sub-cultures marked by marginalisation and otherness - whether social, religious, gendered, sexual, linguistic or ethnic. This range of sub-cultures and variety of ways of thinking the 'other' underlines the fact that 'norms' can only exist by the concomitant existence of difference(s). The essays in this collection, which derive from the conference 'Alienation and Alterity: Otherness in Modern and Contemporary Francophone Contexts', held at the University of Exeter in September 2007, explore various aspects of this diversity in French and Francophone literature, culture, and cinema from the nineteenth to the twenty-first century. The contributions demonstrate that while alienation (from a cultural 'norm' and also from oneself) can certainly be painful and problematic, it is also a privileged position which allows the 'étranger' to consider the world and his/her relationship to it in an 'other' way.
Screening War
Re-examines German cinema's representation of the Germans as victims during the Second World War and its aftermath.
No Helmets Required
Sixty years on from 1950s Los Angeles, No Helmets Required tells the story of 20 young American footballers convinced by entrepreneur Mike Dimitro to fly off around the world playing rugby league - a game they'd never even heard of. Miraculously, the American All Stars competed with the best Australia, New Zealand and France had to offer, and shocked the locals with some stunning victories. Yet beyond the media circus and celebrity adventures, the All Stars had fights and flings, suffered tragic illness and farcical court cases. Dimitro's mission to establish rugby league in the United States failed in spectacular fashion - though one All Star went on to win the Super Bowl, one became a Hollywood stuntman and another an Olympic champion. One player founded a church; another was murdered. The emergence of their remarkable story coincides with the USA's first ever qualification for the Rugby League World Cup, in 2013.
