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More than 140 entries in this book depict events which have had lasting national significance in opening opportunities in the struggle for equal civil rights and opportunities for women. The impact of many of the included events was initially felt on a local level; but in time it created repercussions that spread across the country. These stories show women assuming roles of providers and heads of households, and their leadership, exerted in and outside the home, would often manifest in the community at large and, in turn, in the nation and in the world. The book is divided into four parts: OneThe Seeds Are planted; Two19th CenturyThe Movement Takes Root; Three20th CenturyReaching for the Sunlight; Four21st CenturyComing into Full Bloom. The book begins with Anne Hutchinson and Mary Dyer and ends with Condoleezza Rice, Nan
'Playing with Fire' is a biography of psychologist Hans J. Eysenck's career. It looks to describe the contradictions in Eysenck's public and professional image and explain how one fed the other. It documents his boyhood in Berlin and the origins of his key ideas about personality, learning and the biogenetics of behaviour.
This timely new book explores the formation of the Radical Feminist Movement of the 1960s and 1970s, its prominent leaders and organizations, and the issues it sought to address. Radical Feminists: A Guide to an American Subculture provides a current, comprehensive introduction to the Radical Feminists of the 1960s and 1970s, familiarizing readers with the individuals, organizations, actions, and philosophies that comprised this now-historic movement. Of course, the feminists of the 1960s and 1970s stood on the shoulders of the crusaders who came before. Thus, the book looks at important historical events that paved the way for Radical Feminism, also examining the influence of the Women's Suffrage, Civil Rights, and New Left Movements. Specific social and political issues that concerned the Radical Feminists are explored, including sexuality, sex roles, contraception, and abortion; equal opportunity; feminism in the media; and women in leadership. Finally, the work scrutinizes the fate of the Radical Feminists and their legacy, discussing how their work affected the women's movement overall and how it affects the women—and men—of today.
An account of the aid worker co-author's dramatic January 2012 rescue from kidnappers in Somalia by members of a Navy SEAL Team Six unit offers insight into the effective use of targeted U.S. military missions.
The Heart of the World is a land in strife. For fifty years the Holy Empire of Mann, an empire and religion born from a nihilistic urban cult, has been conquering nation after nation. Their leader, Holy Matriarch Sasheen, ruthlessly maintains control through her Diplomats, priests trained as subtle predators. The Mercian Free Ports are the only confederacy yet to fall. Their only land link to the southern continent, a long and narrow isthmus, is protected by the city of Bar-Khos. For ten years now, the great southern walls of Bar-Khos have been besieged by the Imperial Fourth Army. Ash is a member of an elite group of assassins, the Roshun - who offer protection through the threat of vendett...
Extracts from Erin Pizzey's Foreword: ‘Mike Buchanan is a very brave man. I've known other men who've tried to draw the public's attention to the damage done by the radical feminist movement. Many lost their jobs and none of them were able to find a publisher for their books. Men have been thrown out of their own houses and unjustly accused of domestic violence towards their partners, and some of sexually abusing their children. The legitimate interests of men in Western society are being systematically assaulted by radical feminists and this book goes a long way to providing the evidence. Men are starting to campaign more effectively for their interests, though they have a long way to go ...
This book examines the American Sixties, and how that period’s socio-political essence was reflected and refracted in certain forms of the period’s music. Its five main chapters bear the names of familiar musical categories: ’Folk,’ ‘Rock,’ ‘Jazz,’ ‘Avant-Garde,’ ‘Classical.’ But the book’s real subject matter—treated at length in the Prologue and the Epilogue but spread throughout all that comes between—is the Sixties’ tangled mess of hopes and frustrations, of hungers as much for self-identity as for self-indulgence, of crises of conscience that bothered Americans of almost all ages and regardless of political persuasion.