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The Four Seasons and the rest of the concertos in Op. 8 represent Vivaldi's remarkable innovation in the field of the Baroque concerto. This detailed guide examines the work's origin and construction in a way that enables the reader to distinguish what is extraordinary about the Seasons and what constitutes the composer's customary method of 'characterising' the solo concerto. Drawing on recent research and his own expertise in the appraisal of Vivaldi's manuscripts, the author draws interesting and sometimes startling conclusions about the conception of the Seasons, the origin of their programme, the dating of the concertos and the rationale behind the collection's ritornello-form structures and aria-like slow movements. The significance of Vivaldi's idiosyncratic art is thus revealed in some of the most popular concert music of all time.
Paolo Hewitt has known Paul Weller since they were both teenagers in the depths of Woking, through his ascent to fame with The Jam, the halcyon years of The Style Council and for all of his critically acclaimed solo career. Hewitt has even been the inspiration for some of Weller's songs - and he has extraordinary in-depth knowledge of the inspiration behind the rest. Once, when Hewitt interviewed Weller for a music magazine, he complained - 'I don't know why people ask me all these questions. All the answers are in my songs.' Largely unnoticed, Weller has used thirty-years of lyrics to explore his personal history and beliefs. Taking as his starting point these lyrics, alongside a lifetime's friendship, Paolo Hewitt shows us the real Paul Weller, the man inside the music.
In this text, Paul E. Pierson, Dean Emeritus of the School of Intercultural Studies at Fuller Theological Seminary, guides the reader through a missiological view of history from Christ to the present. Pierson particularly highlights the contexts by which the biblical faith moved into new and different cultures. Today, the Christian faith, is the most geographically and culturally diverse worldwide movement that exists. Paul E. Pierson's book illuminates how this amazing fact has come about and how the trend will continue. Sign up for the WCIU Press newsletter to be notified about new books from this author and more! http: //eepurl.com/rB15L
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John Everett Millais (1829-1896) is undoubtedly among the most important of Victorian artists. In his day, and our own, he remains also the most controversial. While, during his lifetime, controversy centred around his early Pre-Raphaelite paintings, in particular Christ in the house of his Parents (1850), during the twentieth century the most intense criticism has been directed towards Millais's later works, such as Bubbles (1886), which has been widely condemned as sentimental 'kitsch'. These later paintings have been held up as the epitome of the degradation of art, against which avant-garde and Modernist pioneers struggled. None of the existing literature on Millais addresses the fundame...
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"Edward Everett's career coincided with the beginning of industrialism, the coming of railroads, and a revolution in water transportation. It also coincided with the beginnings of large-scale immigration, the rapid development of urban centers, and the rise of the anti-slavery movement. These silent forces transformed society and brought about one of the most turbulent political eras in the nation's history. Divisive sectional interests, the rise of the new two-party system, and territorial expansion changed the political arena. Everett entered politics as this new era began. He was already a public man. He shone brightly as editor of the nation's first literary magazine, the North American ...