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The & -files
"Modeled after the famed TV sci-fi series, The & -Files gathers a covert body of documents following the long and often controversial career of Art & Text, one of the landmark contemporary art magazines of the 1980s and 1990s."--Back cover
Liminal Acts
The term liminal refers to a marginalized space of fertile chaos and creative potential where nothing is fixed or certain. Liminal performance is an emerging genre which has surfaced only in recent times and describes a range of interdisciplinary, highly experimental, performative works in theatre and performance, film and music-performances which can be seen to prioritize the body, the technological and the primordial. Broadhurst argues that traditional and contemporary critical and aesthetic theories are ultimately deficient in interpreting liminal performance. This revolutionary work first surveys traditional aesthetics in the writings of Kant, Nietzsche and Heidegger and juxtaposes them ...
Catalogue
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Annual Register
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Alterities
Alterities marks an advance to a new stage of critical theory. Dealing with literature from Shakespeare and Donne to Calvino, with philosophy from the medieval to the contemporary, with cinema from popular to art-film, and with political theory from Marx to Lyotard, Baudrillard, and Badiou, Thomas Docherty intervenes in all the major contemporary cultural debates to propose and practice a new criticism, whose theoretical foundations lie in a postmodern ethics, ecopolitics, and an austere attention to the radical difficulties of art. Bound together by the cohesive drive of Docherty's intelligence and the coerciveness of the arguments he enlarges about alterity and historicity, Alterities rehabilitates the question of why we bother about art, and proposes new modes of critical engagement with contemporary culture
Sociology and Mass Culture
Cormack investigates the broad cultural significance and relevance of academic sociology by examining its on-going relationship with modernity and mass culture.
Media & Performance
The author discusses the performance aspects of such political events as the breaching of the Berlin wall and the destruction of Sarajevo, and examines the use of video and agitprop performance in political activity, including protests by the gay activist group ACT UP and the disquieting performances of the former pornography actress and sex worker Annie Sprinkle. Birringer ends with a discussion of the continuing incursions of business into digital media, including the "imperialism of technological enhancements" as experienced in the culture of constant "upgrades" and the omnipresence of Bill Gates.
Novel Arguments
Novel arguments argues that innovative fiction - by which is meant writing that has been variously labeled postmodern, metafictional, experimental - extends our ways of thinking about the world, and rejects the critical consensus that, under the rubrics of postmodernism and metafiction, homogenizes this fiction as autonomous and self-absorbed. Play, self-consciousness, and immanence - supposed symptoms of innovative fiction's autonomy - are here reconsidered as integral to its means of engagement. The book advances a concept of the "argument" of fiction as a construct wedding structure and content into a highly evolved and expressive experimental form. Close readings of five important innovative novels by Donald Barthelme, Ishmael Reed, Robert Coover, Walter Abish, and Kathy Acker show how they articulate matters of substance, social engagement, and ideological currency by virtue of the act of innovation. Walsh deftly argues for a new understanding of fictional cognition at the theoretical level, and, in an act of great critical creativity, discards altogether the flattening totalities of received postmodern formulations.
