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A new and expanded edition of a highly successful textbook on world religions with a comparative approach which explores how six major religions are lived and expressed through their customs, rituals and everyday practices. A new edition of this major textbook, exploring the world's great religions through their customs, rituals and everyday practices by focusing on the 'lived experience' This comparative study is enriched and broadened with the inclusion of a sixth religion, Daoism Takes a thematic, comparative and practical approach; each chapter explores a series of key themes including birth, death, ethics, and worship across all six religions at each time Broadens students' understanding by offering an impartial discussion of the similarities and differences between each religion Includes an increased range of student-friendly features, designed to allow students to engage with each religion and extend their understanding
In 1583, five Jesuit brothers set out with the intention of founding a new church and mission in India. Their dream was almost immediately, and brutally, terminated by local opposition. When their massacre was announced in Rome, it was treated as martyrdom. Francesco Benci, professor of rhetoric at the Collegium Romanum, immediately set about celebrating their deaths in a new type of epic, distinct from, yet dependent upon, the classical tradition: Quinque martyres e Societate Iesu in India. This is the first critical edition and translation of this important text. The commentary highlights both the classical sources and the historical and religious context of the mission. The introduction outlines Benci’s career and stresses his role as the founder of this vibrant new genre. This volume is the first one for a new subseries in the 'Jesuit Studies' series: 'Jesuit Neo-Latin Library'.
This cool, clear-sighted comparative study has no theological axe to grind. It offers a trusty thematic guide to the figureheads of three of the largest religions in the world. The comparative approach is descriptive and even-handed, highlighting both similarities and differences across a range of major areas. The thematic chapters cover: early life, followers, the core message, political attitudes, relations with women, and death. The engaging writing and descriptive approach make this an ideal text for students, instructors and general readers.
The doctrine of providence, which states that God guides his creation, has been widely conceived in action terms in recent theological scholarship. Instead of recalibrating the much-discussed non-interventionist objective divine action (NIODA) approaches, Simon Maria Kopf advocates a 'reframing' of providence in terms of the virtue of prudence.
Villa Madama, Raphael's late masterwork of architecture, landscape, and decoration for the Medici popes, is a paradigm of the Renaissance villa. The creation of this important, unfinished complex provides a remarkable case study for the nature of architectural invention. Drawing on little known poetry describing the villa while it was on the drawing board, as well as ground plans, letters, and antiquities once installed there, Yvonne Elet reveals the design process to have been a dynamic, collaborative effort involving humanists as well as architects. She explores design as a self-reflexive process, and the dialectic of text and architectural form, illuminating the relation of word and image in Renaissance architectural practice. Her revisionist account of architectural design as a process engaging different systems of knowledge, visual and verbal, has important implications for the relation of architecture and language, meaning in architecture, and the translation of idea into form.
Cicero has played a pivotal role in shaping Western culture. His public persona, his self-portrait as model of Roman prose, philosopher, and statesman, has exerted a durable and profound impact on the educational system and the formation of the ruling class over the centuries. Joining up with recent studies on the reception of Cicero, this volume approaches the figure of Cicero from a ‘biographical’, more than ‘philological’, perspective and considers the multiple ways by which different ages reacted to Cicero and created their ‘Ciceros’. From Cicero’s lifetime to our times, it focuses on how the image of Cicero was revisited and reworked by intellectuals and men of culture, wh...
Divine Action and Modern Science considers the relationship between the natural sciences and the concept of God acting in the world. Nicholas Saunders examines the Biblical motivations for asserting a continuing notion of divine action and identifies several different theological approaches to the problem. He considers their theoretical relationships with the laws of nature, indeterminism, and probabilistic causation. His book then embarks on a radical critique of current attempts to reconcile special divine action with quantum theory, chaos theory and quantum chaos. As well as considering the implications of these problems for common interpretations of divine action, Saunders also surveys and codifies the many different theological, philosophical and scientific responses to divine action. The conclusion reached is that we are still far from a satisfactory account of how God might act in a manner that is consonant with modern science despite the copious recent scholarship in this area.
This book investigates architecture as a form of diplomacy in the context of the Second World War at six major European international and national expositions that took place between 1937 and 1959. The volume gives a fascinating account of architecture assuming the role of the carrier of war-related messages, some of them camouflaged while others quite frank. The famous standoffs between the Stalinist Russia and the Nazi Germany in Paris 1937, or the juxtaposition of the USSR and USA pavilions in Brussels 1958, are examples of very explicit shows of force. The book also discusses some less known - and more subtle - messages, revealed through an examination of several additional pavilions in ...
Dr. Alan Gribben, a foremost Twain scholar, made waves in 1980 with the publication of Mark Twain's Library, a study that exposed for the first time the breadth of Twain's reading and influences. Prior to Gribben's work, much of Twain's reading history was assumed lost, but through dogged searching Gribben was able to source much of Twain's library. Mark Twain's Literary Resources is a much-expanded examination of Twain's library and readings. Volume I included Gribben's reflections on the work involved in cataloging Twain's reading and analysis of Twain's influences and opinions. This volume, long awaited, is an in-depth and comprehensive accounting of Twain's literary history. Each work read or owned by Twain is listed, along with information pertaining to editions, locations, and more. Gribben also includes scholarly annotations that explain the significance of many works, making this volume of Mark Twain's Literary Resources one of the most important additions to our understanding of America's greatest author.