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Kicking Sawdust
Critics and readers celebrated the power and subtlety of Paul Hyland's earlier books, the inventiveness of his music, the variety of his forms, and above all the integrity of his vision. The title-sequence of this new collection is deceptively light, putting words into the mouths of performers who spend their lives kicking sawdust.
Paul V. Hyland Papers
The Paul Vincent Hyland Papers consists primarily of architectural documents pertaining to the various building projects Hyland was involved in his career as a practicing architect and engineer in and around Chicago and the Midwest. Series I contains materials related to Hyland's architectural projects, separated into two subseries: identified and unidentified buildings. Series II contains correspondence, primarily in regards to recommendations letters for future employment. Series III contains Hyland's personal and professional papers, such as resumes, employment applications, and lists of architectural projects.
Art of the Impossible
Paul Hyland is alert to the source and power of his poetry. Words culled from darkness are fine-tuned under bright lights. He does what storytellers, shamans, singers and musicians have always done: he takes on the world beyond the firelight -- or the computer screen -- with tales, songs and spells; he dons masks, plays games and tricks, performs modest miracles and, in all seriousness, attempts the art of the impossible. Paul Hyland's Art of the Impossible includes the life work of the spy-poet Z as well as poems selected from other books. In a substantial collection of new poems, Hyland goes underground in Cleveland, explores the Mesolithic South, worries at lberia and gets into the heads of unlikely characters. Book jacket.
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The Stubborn Forest
Plundering the language, Paul Hyland carefully and forcefully renders experience and imagination using 'the best trees/ for those tasks I could take on'. Rooted in English land and life, his Stubborn Forest yields a rich hoard of new poems in the gritty Anglo-Saxon tradition.
The Practice of University History Teaching
This work provides a guide to good practice and its development in the teaching and learning of history in universities and colleges. It examines recent thinking on the teaching of the subject, surveys practices, and provides advice to teachers.
Writing and Censorship in Britain
First published in 1992, Writing and Censorship in Britain explores the issue of censorship, from a range of cultural and literary perspectives, from the Tudor period to the 1990s. Written by some of the leading experts in the field, this collection charts the struggles for artistic expression, reveals how censorship is appropriated as a legitimate tactic in the defence of oppressed and marginalised groups, and analyses the struggles writers have employed in the face of its complex dynamics. Here variously defined, defended and deplored, censorship emerges as both an unstable and a potent concept. Through it we define ourselves: as readers, as writers and as citizens. This book will be of interest to students of literature, history and law.
Indian Balm
Indian Balm is the captivating account of a journey Paul Hyland made along the little-known course of the sacred Godavari river in Southern India: a pilgrimage through both his past and India's present. It is the story of the search for his ancestors, missionaries and traders, who settled in the region generations ago and of their Balm--a wonder cure for all sorts of ailments and afflictions. It is also a fascinating and enlightening journey through India today. Wading through the country's contradictions and irritations, its ugliness and its beauty, Hyland encounters both the exotic and the commonplace. He meets snake charmers and sadhus, bogi men and horn dancers, witnesses ancient rituals and observes the most simple aspects of daily life. Indian Balm is an extraordinary and, above all, unique journey--vivid, intimate and revealing--travel writing at its colorful best.
Poems of Z
'Z' was an Eastern Bloc spy who operated in London. He left behind a notebook of 40 poems, written in English, presented here for publication by Paul Hyland, who believes that the pressures of Z's double life brought him to the shattering moral and emotional crisis the poems record, and that 'in this crisis of self-examination Z became a poet.
