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Historic Bearden
In its time, Bearden has seen a motley assortment of pioneers, some of them immigrants, some of them rare African American landowners, spread alongside the toll road into the western wilderness; the first railroad ever built through East Tennessee; Knoxville's first eighteen-hole golf course; the dawn of aviation in East Tennessee, and Knoxville's first municipal airport; a major brick factory, a landmark hat factory, and the biggest rose-production plant in the South; the junction of two of America's first national automobile routes, spawning half a century of tourist camps, motor courts, and motels; jazz nightclubs and slot-machine speakeasies; drive-in restaurants, movie theaters, and bootlegging joints; Knoxville's first cinema multiplex; and too many interesting residents to count, including some cutting-edge musicians, a Pulitzer-winning novelist, and a groundbreaking inventor. This narrative attempts to tell it all as one story, the story of Bearden.
Downtown Knoxville
Founded on a bluff overlooking the Tennessee River in 1791, Knoxville was a frontier town as well as the birthplace and first capital of Tennessee. From the postcolonial years through the Civil War and on to Knoxville's emergence as an industrial, dynamic, and thoroughly American city, downtown was where everything happened--the setting of the city's most memorable stories and legends. Spanning First and Second Creeks and connecting the river to the railroad, downtown is where Knoxvillians have built their most defining churches, opera houses, movie theaters, and hotels. Here, traditions, holidays, and the endings of wars have been celebrated; suffrage leaders exhorted politicians to pass a national amendment; conservationists planned a national park; idealistic engineers and architects of a New Deal program reimagined a multistate valley; and musicians convened to record and broadcast new forms of folk music that would be called "country." Downtown is where bizarre gunfights drew national attention and a notorious outlaw escaped from jail and rode the sheriff's horse to freedom across the Gay Street Bridge.
Historic Knoxville
A 200-page illustrated guide including Downtown, Historic Homes, Neighborhoods, Parks, Cemeteries, University of Tennessee, and more!
The Civil War and the Limits of Destruction
Neely considers the war’s destructiveness in a comparative context, revealing the sense of limit that guided the conduct of American soldiers and statesmen. Modern overemphasis on violence in Civil War literature has led many scholars to go too far in drawing analogies with the 20th century’s “total war” and the grim guerrilla struggles of Vietnam.
My Secret History
'Nothing on the shelf has quite prepared the reader for My Secret History . . . Parent saunters into the book aged fifteen, shouldering a .22 Mossberg rifle as earlier, more innocent American heroes used to tote a fishing pole. In his pocket is a paperback translation of Dante's Inferno . . . He is a creature of naked and unquenchable ego, greedy for sex, money, experience, another life' Jonathan Raban, Observer
Growing Up with a Single Parent
Nonwhite and white, rich and poor, born to an unwed mother or weathering divorce, over half of all children in the current generation will live in a single-parent family--and these children simply will not fare as well as their peers who live with both parents. This is the clear and urgent message of this powerful book. Based on four national surveys and drawing on more than a decade of research, Growing Up with a Single Parent sharply demonstrates the connection between family structure and a child's prospects for success. What are the chances that the child of a single parent will graduate from high school, go on to college, find and keep a job? Will she become a teenage mother? Will he be...
Complete Film Criticism
-From 1942 to 1948, James Agee wrote rather voluminous move reviews for Time and The Nation at a time when motion pictures captured wide swaths of the viewing public. This fifth volume in the Works of James Agee series includes Maland's historical introduction and his textual introduction as well as Agee's reviews from Time, The Nation, other published film criticism, and unpublished articles. Agee's Time reviews have never been published in their entirety, and early reviews from Agee's time at Exeter Academy are also included---
Ijams Nature Center
Ijams Nature Center, on the banks of the Tennessee River, evolved from humble beginnings during the early 20th century into a natural showplace known as the Island Home Bird Sanctuary. Developed by Harry Ijams, Knoxville's leading ornithologist, and Alice Yoe Ijams, "First Lady of Knoxville Garden Clubs," the Ijams property has been a gathering point for birders and nature-lovers for more than a century. Girl Scouting has been a fixture at Ijams since 1923, followed by Camp Mary Ijams, and Camp Margaret Townsend in the Smokies was created in part through Ijams and Townsend family ties. Harry Ijams also helped establish the first official campsite on Mount LeConte and used his artistry as a commercial illustrator to promote the Smoky Mountains as a national park. Over the years, Ijams Nature Center has grown in size and stature to become the region's leading wildlife sanctuary and environmental learning center incorporating Mead's Quarry, which in its heyday produced Tennessee marble used both in local buildings and national monuments.
The Postman Always Rings Twice
The bestselling sensation—and one of the most outstanding crime novels of the 20th century—that was banned in Boston for its explosive mixture of violence and eroticism, and acknowledged by Albert Camus as the model for The Stranger. The basis for the acclaimed 1946 film. An amoral young tramp. A beautiful, sullen woman with an inconvenient husband. A problem that has only one grisly solution—a solution that only creates other problems that no one can ever solve. First published in 1934, The Postman Always Rings Twice is a classic of the roman noir. It established James M. Cain as a major novelist with an unsparing vision of America's bleak underside and was acknowledged by Albert Camus as the model for The Stranger.
