Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
How to Read Nancy
Everything that you need to know about reading, making, and understanding comics can be found in a single Nancy strip by Ernie Bushmiller from August 8, 1959. Paul Karasik and Mark Newgarden’s groundbreaking work How to Read Nancy ingeniously isolates the separate building blocks of the language of comics through the deconstruction of a single strip. No other book on comics has taken such a simple yet methodical approach to laying bare how the comics medium really works. No other book of any kind has taken a single work by any artist and minutely (and entertainingly) pulled it apart like this. How to Read Nancy is a completely new approach towards deep-reading art. In addition, How to Read Nancy is a thoroughly researched history of how comics are made, from their creation at the drawing board to their ultimate destination at the bookstore. Textbook, art book, monogram, dissection, How to Read Nancy is a game changer in understanding how the “simplest” drawings grab us and never leave. Perfect for students, academics, scholars, and casual fans.
The Ride Together
We looked like a cup of human fruit cocktail dumped onto the top of the house, each piece different but all out of the same can. So begins a book unlike any other, half comics and half text, about a family that lives with autism -- and the strange life that is ordinary to them. The oldest son, David, recites Superman episodes as he walks around the living room. A late-night family poker game spirals into a fog-driven duel. A thug from an old black-and-white rerun crawls out of the television. A housekeeper transforms into an avenging angel. A broken plate signals a terrible change in the family that none of them can prevent...until it's too late. This groundbreaking work was excerpted in The New York Times for its ability to honestly, eloquently, and respectfully set forth what life is like with autism in the family. What sets The Ride Together apart is its combination of imagination and realism -- its vision of a family's inner world -- with David at the center.
Masters of American Comics
Presents the work of America's most popular and influential comic artists, and includes critical essays accompanying each artist's drawings.
The House
In Paco Roca’s intensely intimate and international award-winning graphic novel, The House, three adult siblings return to their family’s quaint vacation home a year after their father’s death. They each bring their respective wives, husbands, and children there with the intention to clean up the residence and put it on the market, but as garbage is hauled off and dust is wiped away, decades-old resentments quickly fill the vacant home. Through flashbacks into each sibling’s memories — the fig trees they grew up climbing, the pergola they never got around to build, the final visits to the hospital — Roca gives us a glimpse into domestic moments of joy, guilt, and disappointment while asking what happens to brothers and sisters when the only person holding the family together is now gone. Much like the film The Big Chill, The House is both painful and touching, brilliantly rendered on panoramic pages by Roca, who is known for his empathetic books like the 2017 Eisner Award-nominated Wrinkles. At once deeply personal (dedicated to Roca’s own deceased father) and entirely universal, The House details the struggle to overcome the past, but still hold onto the memories.
You Shall Die by Your Own Evil Creation!
Readers of the first Fletcher Hanks volume―I Shall Destroy All the Civilized Planets―were stunned by its pop surrealism and outright violent mayhem. This larger second volume, when combined with the first, comprises the complete comics work of the heretofore forgotten Golden Age visionary. Fletcher Hanks was the first great comic book auteur. That is, he wrote, penciled, inked, and lettered all of his own stories. He completed an astonishing 48 stories in three years from 1939-1941. As a one-man-cartooning-band, his work packs the wallop of a unique and unified artistic vision. He was a true comics visionary. In the earliest days of the comic book, before censorship, it was “anything goes!”―and in the tales of Fletcher Hanks, anything went!
City of Glass
A graphic novel classic with a new introduction by Art Spiegelman Quinn writes mysteries. The Washington Post has described him as a "post-existentialist private eye." An unknown voice on the telephone is now begging for his help, drawing him into a world and a mystery far stranger than any he ever created in print. Adapted by Paul Karasik and David Mazzucchelli, with graphics by David Mazzucchelli, Paul Auster's groundbreaking, Edgar Award-nominated masterwork has been astonishingly transformed into a new visual language. "[This graphic novel] is, surprisingly, not just a worthy supplement to the novel, but a work of art that fully justifies its existence on its own terms."--The Guardian
Neon Lit:city of Glass
A graphic, crime noir novel on a New York detective-cum-novelist who answers a wrong number. A double- barreled investigation, one from the perspective of the detective, the other from that of the novelist. Adapted from Paul Auster's City of Glass by the creators of Maus.
Building Stories
Presents an illustrated tale, told in various books and folded sheets, about the residents in a three-story Chicago apartment building, including a lonely single woman, a couple who are growing to despise each other, and an elderly landlady.
Seminar Selling
Seminar selling is the most cost-effective technique for marketing financial products and services. Research has shown that face-to-face sales calls are very expensive, and telemarketing is both time consuming and overused. This comprehensive guide for the financial services professional demonstrates how to conduct profitable seminars.
City of Glass
When reclusive crime writer Daniel Quinn receives a mysterious call seeking a private detective in the middle of the night, he quickly and unwittingly becomes the protagonist in a thriller of his own. As the familiar territory of the noir detective genre gives way to something altogether more disturbing, Quinn becomes consumed by his mission, and begins to lose his grip on reality.
