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Evelyn Dunbar (1906-1960)
This catalogue is published on the occasion of the exhibition at Pallant House Gallery, Chichester, West Sussex, 3 October 2015-14 February 2016.
Art, Faith and Modernity
No account of 20th Century British art can overlook the numerous works of the period that were essentially “religious” in their content. Art, Faith & Modernity examines this question in Paul Liss‘ and Alan Powers’ essays and demonstrates the wide range of expression in more than 175 colour reproductions. Anchored by Alan Power’s defining essay, Art Faith and Modernity presents a poignant argument – both visual and cerebral – for a reassessment of the important place that religious art continued to occupy in 20th century Britain. Art, Faith & Modernity is part of Liss Llewellyn’s on-going programme of exhibitions, produced in partnership with museums and cultural institutions, which seeks to reappraise some of the unsung heroines and and heroes of Modern British art.
British Murals and Decorative Painting 1910-1970
The murals that were produced in this country in the twentieth century remain as one of the great inventive achievements in modern British art. Highly original in their approach to design, balancing varying degrees of modernity or tradition, they demonstrate the creative drive of their makers and contain singular expressions of the aesthetic, personal and social concerns that typify the ages from which they come. Some are celebrations of simple human pleasures, perhaps to decorate a refreshment room, an ocean liner or a dining room. Others are intended to be the highest expressions of their art, ambitious allegorical or decorative compositions that like the frescoes of the Renaissance would ...
Apocalypse in British Art and Visual Culture in the Early Twentieth Century
This book is the first substantial study of the presence and relationship with the concepts of apocalypse, eschatology, and millennium in modern British art from 1914 to 1945, addressing how and why practitioners in both religious and secular spheres turned to the subjects. The volume examines British art and visual culture’s relationship with the then-contemporary anxieties and hopes regarding the orientation of society and culture, arguing that there is an acute relationship to the particular forms of cultural discourse of eschatology, apocalypse, and millennium. Chapters identify the continued relevance of religion and religious themes in British art during the period, and demonstrate t...
Walter Bonner Gash
Walter Bonner Gash (1869-1928) Edwardian artist known for his works in oil and pastel. Primarily interested in landscape, still life and especially portraiture.
The Real and the Romantic
The 21st century has seen a surge of interest in English art of the interwar years. Women artists, such as Winifred Knights, Frances Hodgkins and Evelyn Dunbar, have come to the fore, while familiar names Paul Nash, Eric Ravilious and Stanley Spencer have reached new audiences. High-profile exhibitions have attracted recordbreaking visitor numbers and challenged received opinion. In The Real and the Romantic, Frances Spalding, one of Britains leading art historians and critics, takes a fresh and timely look at this rich period in English art. The devastation of the First World War left the art world decentred and directionless. This book is about its recovery. Spalding explores how exciting ...
Citizenship in Times of Turmoil?
This innovative book considers the evolution of the contemporary issues surrounding British citizenship, integrating the social aspects and ideas of identity and belonging alongside the legal elements. With contributions from renowned lawyers and academics, it challenges the view that there are immutable values and enduring rights associated with citizenship status.
Ethics and Politics of Breastfeeding
Responding to the most widely read breastfeeding manual, La Leche League's The Womanly Art of Breastfeeding, Robyn Lee's The Ethics and Politics of Breastfeeding explores breastfeeding as an art that must be developed through skillful application of effort and distinguished from a merely natural or physiological process. The Ethics and Politics of Breastfeeding challenges the dominant understanding of breastfeeding and cultivates an alternative conception as an ethical, embodied practice of the self. Drawing on the work of Michel Foucault, Emmanuel Levinas, and Luce Irigaray, Lee develops a new understanding of breastfeeding as an "art of living," where the practice is reconsidered in the light of ongoing social inequalities.
