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How Reason Almost Lost Its Mind
In the United States at the height of the Cold War, roughly between the end of World War II and the early 1980s, a new project of redefining rationality commanded the attention of sharp minds, powerful politicians, wealthy foundations, and top military brass. Its home was the human sciences—psychology, sociology, political science, and economics, among others—and its participants enlisted in an intellectual campaign to figure out what rationality should mean and how it could be deployed. How Reason Almost Lost Its Mind brings to life the people—Herbert Simon, Oskar Morgenstern, Herman Kahn, Anatol Rapoport, Thomas Schelling, and many others—and places, including the RAND Corporation,...
Electromagnetism
Covers vectors, stationary electric charges, direct currents, dielectrics, magnetic fields, alternating currents, and electromagnetic waves
Memoirs
None
Monsieur de Phocas
Monsieur de Phocas ranks with A Rebours as the summation of the French Decadent Movement. Modelled on The Portrait of Dorian Gray, it drips with evil and certainly would have unpublishable in fin-de-siecle England. 'With Ethel's friends, grotesque, ageing decadents, Phocas for the first time tastes opium. He experiences the pleasure of absolute degradation, and the double pleasure of being both observer and observed, dominant subject and passive object. As the opium takes effect, the naked Javanese dancers at the orgy vanish in a swirling cloud, to be replaced by a dark lamplit street where two thieves carefully saw at a woman's throat with a delicate knifeblade. From this cruel vision, Phocas soars into dizzy flight from which, suddenly, he plunges to destruction, into oozing depths where clinging vampires suck his blood, until he almost swoons into spasms. The mysterious, vicious double is on the threshold of existence: Phocas sees himself as Giles de Retz in the forest of Tiffauges, haunted by obscene desires.' Jennifer Birkett in Sins of the Fathers
Delphi Complete Paintings of Claude Lorrain (Illustrated)
Revered by artists and collectors since the seventeenth century, Claude Lorrain was a master of landscape painting, raising the reputation of the art form to new heights. His paintings present idealised views of nature, governed by Classical concepts and fuelled by the inspiration of the Roman Campagna. Claude’s special contribution was the poetic rendering of light, which would particularly influence the Romantic movement and change the course of art. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing readers to explore the works of great artists in comprehensive detail. This volume presents Claude’s complete paintings in beautiful detail, with c...
