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Short stories.
Fiction. THE HYPOTHETICAL MAN is a darkly humorous collection of stories featuring an assortment of anonymous characters--A, B, and S--all with problems. They work undercover at an amusement park in Illinois or else they work at a secret government facility that would prefer not to be named. They attend a freewheeling sales meeting with death masks on the wall. Some raise pigs, others race goats. One lives in a suburban home where he watches his wife with another man. They are, together, misled, misunderstood, and mistaken often, but their pursuit of answers never ends. "The collaboration of Maliszewski and Weil yields an intellectually frothy collection... The authors display an almost palp...
Fakers are believed—and, at least for a time, celebrated—because they each promise us, screen-gazing and experience-starved, something real and authentic, a view, however fleeting, of a great thing rarely glimpsed. —from Fakers From James Frey and his fake memories of drug-addled dissolution to Stephen Glass and his fake dispatches from the fringes of politics to the author formerly known as JT LeRoy and his fake rural tough talk, we are beset by real-seeming fiction masquerading as truth. We are living in the era of the fake. Fakers is a fascinating exploration of the varieties of faking, from its historical roots in satire and con artistry to its current boom. Paul Mal...
Edited by Jason Fulford, Leanne Shapton, Paul Maliszewski, Matt Singer.
A brilliant satire from one of the great novelists of his time. In his first novel in nearly twenty years, Alexander Theroux, National Book Award Nominee, returns with a compendious satire, a bold and inquisitorial circuit-breaking examination of love and hate, of rejection and forgiveness, of trust and romantic disappointment, of the terrors of contemporary life. Eugene Eyestones, an erudite sex columnist for a Boston cultural magazine, becomes enmeshed in the messy life of a would-be artist named Laura Warholic, who, repulsing and fascinating him at the same time, becomes a mirror in which he not only sees himself but through which he is forced to face his own demons. Not only does she ina...
Adam Penn Gilders was a virtuoso of the deadpan prose miniature. He published his stories in Paris Review, The Walrus and J&L Illustrated, before passing away in 2007, at the age of 36, of a brain tumor. Another Ventriloquist collects Gilders' charming vignettes, which fall somewhere between Aesop's fable and bitch session: "My friend Geoffrey, to my constant dismay, seems compelled to enjoy life's little pleasures, such as coffee or perfectly cooked eggs, all at once, without delay or hesitation. With coffee, for example, which he particularly loves, he drains his cup with almost demented eagerness, often before his companions have taken a single sip. It was as though the best experiences, like hot liquids, were liable to evaporate if measured out in teaspoons. He had what I considered a 'Now or Never' attitude which made me want to proclaim 'Never '" With this posthumous collection, Gilders bequeaths a gem of concision and wit.
With tremendous new stories from Steven Millhauser and Roddy Doyle, an epic, genre-shattering novella from Hilton Als, and a really excellent special section on Norway's finest writers (featuring not just Per Petterson but also Kid Icarus and a woman named Blind Margjit)--along with, probably, correspondence from a man we can't yet name and an unbelievable disappearing-ink cover done by Jordan Crane--Issue 35 is a full-to-bursting edition in the tradition of the best ones we've ever done. For several hundred pages of unrivaled summer reading, this is your book.
Contemporary discussions on nonfiction are often riddled with questions about the boundaries between truth and memory, honesty and artifice, facts and lies. Just how much truth is in nonfiction? How much is a lie? Blurring the Boundaries sets out to answer such questions while simultaneously exploring the limits of the form. This collection features twenty genre-bending essays from today's most renowned teachers and writers--including original work from Michael Martone, Marcia Aldrich, Dinty W. Moore, Lia Purpura, and Robin Hemley, among others. These essays experiment with structure, style, and subject matter, and each is accompanied by the writer's personal reflection on the work itself, illuminating his or her struggles along the way. As these innovative writers stretch the limits of genre, they take us with them, offering readers a front-row seat to an ever-evolving form. Readers also receive a practical approach to craft thanks to the unique writing exercises provided by the writers themselves. Part groundbreaking nonfiction collection, part writing reference, Blurring the Boundaries serves as the ideal book for literary lovers and practitioners of the craft.
Authorial Ethics is a normative study that deals with the many ways in which writers abuse their commitment to truth and integrity. It is divided by academic discipline and includes chapters on journalism, history, literature, art, psychology, and science, among others. Robert Hauptman offers generalizations and theoretical remarks exemplified by specific cases. Two major abrogations are inadvertent error and purposeful misconduct, which is subdivided into falsification, fabrication, and plagiarism. All of these problems appear in most disciplines, although their negative impact is felt most potently in biomedical research and publication. Professor Mary Lefkowitz, the classicist, provides an incisive foreword.
Unconventions is a quirky and provocative miscellany that reveals Michael Martone’s protean interests as a writer and a writing teacher. Martone has, shall we say, a problem with authority. His chief pleasure in knowing the rules of his vocation comes from trying out new ways to bend, blend, or otherwise defy them. The pieces gathered in Unconventions are drawn from a long career spent loosening the creative strictures on writing. Including articles, public addresses, essays, interviews, and even a eulogy, these writings vary greatly in form but are unified in addressing the many technical and artistic issues that face all writers, particularly those interested in experimental and nontradi...