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The Archetype of the Dying and Rising God in World Mythology
In this book, the author analyzes myths from around the world to argue for the existence of a dying and rising god archetype. In the process, he draws out interpretive implications of the myths for not only myth studies per se, but also studies in religion, literature, and psychology.
Malory's Anatomy of Chivalry
This book is the first systematic study in decades of Malory’s development of his characters in the Morte Darthur. Focusing on sixteen key figures in the most important medieval English treatment of the Arthurian saga, it examines Malory’s thematic characterization of individual rulers, knights, and ladies in keeping with the twin trajectories of his history of the Round Table and fifteenth-century English history. Looking at how Malory develops his characters as exemplars of kingship, knighthood, and womanhood, the book traces the medieval author’s exploration of the values constituting chivalry as embodied in individual characters, a process that enabled him to formulate a vision of ...
"The White Horse" and Other Stories
"This is a collection of stories by Emilia Pardo Bazan (1851-1921), a Spanish author who often found the subject matter of her stories in the mysteries and vicissitudes of life. Some of her tales are fictional accounts of actual occurrences or people ("The Pardon," "A Galician Mother," and "The Lady Bandit"); others are a defense of women subjugated by a double standard ("The Guilty Woman" and "The Faithful Fiancee"); a number focus on the figure of the rural priest ("A Descendant of the Cid" and "Don Carmelo's Salvation," for example). One highly symbolic story - "The White Horse" - qualifies Pardo Bazan as the godmother of the Generation of 98, the group of writers who exhorted Spain to be...
A New Companion to Malory
A comprehensive survey of one of the most important texts of the Middle Ages.
The Knight without Boundaries: Yiddish and German Arthurian Wigalois Adaptations
Explores a core medieval myth, the tale of an Arthurian knight called Wigalois, and the ways it connects the Yiddish-speaking Jews and the German-speaking non-Jews of the Holy Roman Empire.
Guy of Warwick
The first interdisciplinary enquiry into a key figure in medieval and early modern culture. Guy of Warwick is England's other Arthur. Elevated to the status of national hero, his legend occupied a central place in the nation's cultural heritage from the Middle Ages to the modern period. Guy of Warwick: Icon and Ancestor spans the Guy tradition from its beginnings in Anglo-Norman and Middle English romance right through to the plays and prints of the early modern period and Spenser's Faerie Queene, including the visual tradition in manuscript illustration and material culture as well as the intersection of the legend with local and national history. This volume addresses important questions r...
Medieval and Renaissance Drama in England
Annual collection of articles and book reviews on Medieval and Renaissance literature, excluding Shakespeare
Masculinity and Emotion in Early Modern English Literature
The first full length treatment of how men of different professions, social ranks and ages are empowered by their emotional expressiveness in early modern English literary works, this study examines the profound impact of the cultural shift in the English aristocracy from feudal warriors to emotionally expressive courtiers or gentlemen on all kinds of men in early modern English literature. Jennifer Vaught bases her analysis on the epic, lyric, and romance as well as on drama, pastoral writings and biography, by Shakespeare, Spenser, Sidney, Marlowe, Jonson and Garrick among other writers. Offering new readings of these works, she traces the gradual emergence of men of feeling during the sixteenth and seventeenth centuries, to the blossoming of this literary version of manhood during the eighteenth century.
Arthurian Literature XXXVII
New and fresh assessments of Malory's Morte Darthur.
The Cartographic Imagination in Early Modern England
Working from a cultural studies perspective, author D. K. Smith here examines a broad range of medieval and Renaissance maps and literary texts to explore the effects of geography on Tudor-Stuart cultural perceptions. He argues that the literary representation of cartographically-related material from the late fifteenth to the early seventeenth century demonstrates a new strain, not just of geographical understanding, but of cartographic manipulation, which he terms, "the cartographic imagination." Rather than considering the effects of maps themselves on early modern epistemologies, Smith considers the effects of the activity of mapping-the new techniques, the new expectations of accuracy and precision which developed in the sixteenth century-on the ways people thought and wrote. Looking at works by Spenser, Marlowe, Raleigh, and Marvell among other authors, he analyzes how the growing ability to represent physical space accurately brought with it not just a wealth of new maps, but a new array of rhetorical techniques, metaphors, and associations which allowed the manipulation of texts and ideas in ways never before possible.
