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Masculinity and Emotion in Early Modern English Literature
The first full length treatment of how men of different professions, social ranks and ages are empowered by their emotional expressiveness in early modern English literary works, this study examines the profound impact of the cultural shift in the English aristocracy from feudal warriors to emotionally expressive courtiers or gentlemen on all kinds of men in early modern English literature. Jennifer Vaught bases her analysis on the epic, lyric, and romance as well as on drama, pastoral writings and biography, by Shakespeare, Spenser, Sidney, Marlowe, Jonson and Garrick among other writers. Offering new readings of these works, she traces the gradual emergence of men of feeling during the sixteenth and seventeenth centuries, to the blossoming of this literary version of manhood during the eighteenth century.
Grief and Gender, 700-1700
This collection of essays examines the relation of grief and gender in the literature and visual arts of England, France, Italy, and Germany from 700-1700.
Grief, Gender, and Identity in the Middle Ages
This edited collection examines the ways in which medieval grief is both troubled and troubling––troubled in its representation, troubling to categories such as gender, identity, hierarchy, theology, and history, among others. Investigating various instantiations of grief—sorrow, sadness, and mourning; weeping and lamentation; spiritual and theological disorientation and confusion; keening and the drinking of blood; and grief-madness—through a number of theoretical lenses, including feminist, gender, and queer theories, as well as philosophical, sociological, and historical approaches to emotion, the collected essays move beyond simply describing how men and women grieve in the Middle Ages and begin interrogating the ways grief intersects with and shapes gender identity. Contributors are Kim Bergqvist, Jim Casey, Danielle Marie Cudmore, Marjorie Housley, Erin. I. Mann, Inna Matyushina, Drew Maxwell, Kristen Mills, Jeffery G. Stoyanoff, Lee Templeton, and Kisha G. Tracy.
The Hidden Affliction
Multidisciplinary collection of essays on the relationship of infertility and the "historic" STIs--gonorrhea, chlamydia, and syphilis--producing surprising new insights in studies from across the globe and spanning millennia.
Gender and Policing in Early Modern England
Traces the history of gendered policing back to its emergence from the early modern patriarchal household.
Death in the Middle Ages and Early Modern Times
Death is not only the final moment of life, it also casts a huge shadow on human society at large. People throughout time have had to cope with death as an existential experience, and this also, of course, in the premodern world. The contributors to the present volume examine the material and spiritual conditions of the culture of death, studying specific buildings and spaces, literary works and art objects, theatrical performances, and medical tracts from the early Middle Ages to the late eighteenth century. Death has always evoked fear, terror, and awe, it has puzzled and troubled people, forcing theologians and philosophers to respond and provide answers for questions that seem to evade r...
Discourses of Purity in Transcultural Perspective (300–1600)
While comparative studies on purity and impurity presented in the last decades have mostly concentrated on the ancient world or on modern developments, this volume focusses the hitherto comparatively neglected period between ca. 300 and 1600 c. E. The collection is innovative because it not only combines papers on both European and Asian cultures but also considers a wide variety of religions and confessions. The articles are written by leading experts in the field and are presented in six systematic sections. This analytical categorization facilitates understanding the functional spectrum that the binomial purity and impurity could cover in past societies. The volume thus presents an in-depth comparative analysis of a category of paramount importance for interfaith relations and processes of transfer. Contributors are: Aziz al-Azmeh, Matthias Bley, Sven Bretfeld, Miriam Czock, Licia Di Giacinto, Hans-Werner Goetz, Elisabeth Hollender, Nikolas Jaspert, Stefan Köck, Stefan Leder, Hanna Liss, Christopher MacEvitt, Hermann-Josef Röllicke, Paolo Santangelo, and Ephraim Shoham-Steiner.
Historically Responsive Storytelling
This book explores the notion that the emergent language of contemporary theatre, and more generally of modern culture, has links to much earlier forms of storytelling and an ancient worldview. This volume looks at our diverse and amalgamative theatrical inheritance and discusses various practitioners and companies whose work reflects and recapitulates ideas, approaches, and structures original to theatre’s ritual roots. Drawing together a range of topics and examples from the early Middle Ages to the modern day, Chadwick focuses in on a theatrical language which includes an emphasis on the psychosomatic, the non-linear, the symbolic, the liminal, the collective, and the sacred. This interdisciplinary work draws on approaches from the fields of anthropology, philosophy, historical and cognitive phenomenology, and neuroscience, making the case for the significance of historically responsive modes in theatre practice and more widely in our society and culture. Eleanor
Crying in the Middle Ages
Sacred and profane, public and private, emotive and ritualistic, internal and embodied, medieval weeping served as a culturally charged prism for a host of social, visual, cognitive, and linguistic performances. Crying in the Middle Ages addresses the place of tears in Jewish, Christian, and Islamic cultural discourses, providing a key resource for scholars interested in exploring medieval notions of emotion, gesture, and sensory experience in a variety of cultural contexts. Gertsman brings together essays that establish a series of conversations with one another, foregrounding essential questions about the different ways that crying was seen, heard, perceived, expressed, and transmitted throughout the Middle Ages. In acknowledging the porous nature of visual and verbal evidence, this collection foregrounds the necessity to read language, image, and experience together in order to envision the complex notions of medieval crying.
Emotion in the Tudor Court
Emotion in the Tudor Court is a transdisciplinary work that uses Renaissance and modern scientific models of emotion to analyze the literary cultures of Tudor-era English court society, providing a robust new analysis of the emotional dynamics of sixteenth-century England.
