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Speak You Also
In 1943, sixteen-year-old Paul Steinberg was arrested in Paris and deported to Auschwitz. A chemistry student, Steinberg was assigned to work in the camp's laboratory alongside Primo Levi, who would later immortalize his fellow inmate as "Henri," the ultimate survivor, the paradigm of the prisoner who clung to life at the cost of his own humanity. "One seems to glimpse a human soul," Levi wrote in Survival in Auschwitz, "but then Henri's sad smile freezes in a cold grimace, and here he is again, intent on his hunt and his struggle; hard and distant, enclosed in armor, the enemy of all." Now, after fifty years, Steinberg speaks for himself. In an unsparing act of self-examination, he traces h...
Who Rules the Earth?
"Humanity is confronted with an alarming number of environmental problems. Paul F. Steinberg explains that there is room for hope if we can modify the rules that guide human behavior and shape the ways we interact with the Earth"--
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School of Hard Luck
Poor. Skinny. Immigrant. Dirty Jew. Weird. Weakling. Useless.Believing they were right about him and always afraid to walk home from school, Paul couldn't get through a day without some form of bullying. Until the day Paul couldn't take it anymore. They were always a group of 5 or more but this time he saw one of the boys walking alone, sans entourage, and he unleashed years of pent-up rage. "He had to have seen the fury in my eyes because he tried to dash away but not before I could chase him all the way to Rachel street. It was there that I unleashed the anguish of never having fought back. Brian took the hit for seven years of my constant struggle against bullying."Reminiscent of Mordecha...
The Labyrinth
A seminal work by an artist whose drawings in The New Yorker, LIFE, Harper's Bazaar, and many other publications influenced an entire generation of American artists and writers. Saul Steinberg’s The Labyrinth, first published in 1960 and long out of print, is more than a simple catalog or collection of drawings— these carefully arranged pages record a brilliant, constantly evolving imagination confronting modern life. Here is Steinberg, as he put it at the time, discovering and inventing a great variety of events: "Illusion, talks, music, women, cats, dogs, birds, the cube, the crocodile, the museum, Moscow and Samarkand (winter, 1956), other Eastern countries, America, motels, baseball, horse racing, bullfights, art, frozen music, words, geometry, heroes, harpies, etc.” This edition, featuring a new introduction by Nicholson Baker, an afterword by Harold Rosenberg, and new notes on the artwork, will allow readers to discover this unique and wondrous book all over again.
Michelangelo’s Sculpture
Leo Steinberg was one of the most original and daring art historians of the twentieth century, known for taking interpretative risks that challenged the profession by overturning reigning orthodoxies. In essays and lectures that ranged from old masters to contemporary art, he combined scholarly erudition with an eloquent prose that illuminated his subject and a credo that privileged the visual evidence of the image over the literature written about it. His works, sometimes provocative and controversial, remain vital and influential reading. For half a century, Steinberg delved into Michelangelo’s work, revealing the symbolic structures underlying the artist’s highly charged idiom. This v...
