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This Is A Critical Study On Paul Scott S Novels. It Explores In Depth The Novelist S Private Art Of Writing The Novel As An Image, Symbol Or An Extended Metaphor As Well As The Intricate Textural Relationship Between His Art Of Fiction And Vision Of Life.
Shortly before his death in 1978, Paul Scott won the Booker Prize for Fiction. In this biography, the author explores Scott's family background in North London, his war years in India and the Far East, the development of his fiction and the characters on whom his most famous creations were based.
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Contrary to popular belief, Paul Scott was not a historical novelist in the realist tradition but a post-modernist who engaged with his readers in narrative of increasing self-consciousness and complexity. Having exposed the identity crisis of the twentieth-century male under army and post-war conditions, he moved on after the 1950's to explore the need for commitment memorably and often brilliantly against various backdrops. This phase culminated in his most frankly experimental novel, The Corrida at San Feliu (1964). However, India, where Scott had served during the war, still exerted a strong pull on his imagination. And in his tour de forceThe Raj Quartet (1966-1975), and its coda, Staying On (1977; Booker Prize, 1978), Scott found in one of the great upheavals of recent times what he had long been seeking - evidence of human being's capacity for moral integrity and love, even in the face of extraordinary challenges.
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In this sequel to The Raj Quartet, Colonel Tusker and Lucy Smalley stay on in the hills of Pankot after Indian independence deprives them of their colonial status. Finally fed up with accommodating her husband, Lucy claims a degree of independence herself. Eloquent and hilarious, she and Tusker act out class tensions among the British of the Raj and give voice to the loneliness, rage, and stubborn affection in their marriage. Staying On won the Booker Prize in 1977 and was made into a motion picture starring Trevor Howard and Celia Johnson in 1979. "Staying On far transcends the events of its central action. . . . [The work] should help win for Scott . . . the reputation he deserves—as one...
Delightful, witty, and revealing essays about the art of writing fiction by the heralded British author of The Raj Quartet.
If novelist Paul Mark Scott (1920-1978) has secured a niche in English literature, it is on the merits of his Raj Quartet and its sequel, Staying On, for which he won the Booker Prize in 1977. Yet by the time he had published The Jewel in the Crown in 1966, he had supported his family on his writing for six years, worked as a literary advisor for several publishers, routinely written book reviews for The Times, the Guardian, the Daily Telegraph, and Country Life, and published eight novels. Scott's literary reputation was already considerable when, at the age of 44, he embarked on The Raj Quartet that would take up the last fourteen years of his life-a masterpiece that reinterpreted the majo...
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The conclusion of the “majestic” quartet about the waning days of the British empire in India, “a commanding achievement” (Kirkus Reviews, starred review). After exploiting India’s divisions for years, the British are departing in such haste that no one is prepared for the Hindu-Muslim riots of 1947. The twilight of the raj turns bloody. Against the backdrop of the violent partition of India and Pakistan, A Division of the Spoils illuminates one last bittersweet romance, revealing the divided loyalties of the British as they flee, retreat from, or cling to India. “[These] novels are a spectacular explosion of history set off within the lives of a dozen or so Britons and Indians on the edges of vast change . . . If you want to know where the political world we now live in began, Paul Scott’s novels are a place to start.” —The New York Times Book Review “A rich novel of manners . . . Politics, cultism, police and military interrogation—all moving toward inevitable murder and violence—are integral parts of a carefully crafted, complex novel.” —Library Journal