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In My Mind To Me A Kingdom Is, the extraordinary follow-up to his prize-winning novel Forbidden Line, Paul Stanbridge tells us about remarkable things. He tells us about the plains of Doggerland, lost under the North Sea. He tells us about ancient horses, carved into chalk hillsides. He tells us about the mysteries of trees. My Mind to Me A Kingdom Is is a book bursting with the joy of discovery, the beauty of the world, and the rich, warm pulse of life. It is also a book about death. In 2015, Paul's brother took his own life, leaving behind pitifully few possessions and an irreducible complex of questions. In his search for answers, Paul discovers that facts can be the opposite of truth, and that to see something fully, we must sometimes look away. Blending fiction and memoir, knowing and unknowing, love and loss, My Mind To Me A Kingdom Is is a heartbreaking and generous exploration of grief. A beautiful and painful tribute to Paul's brother, it stands alone.
"A work of enormous scope and ambition from a writer who combines style, wit... and a rare sense of the ridiculousness of the human condition. Incomparable." (Alex Pheby, Wellcome Book Prize-shortlisted author of Playthings) Forbidden Line, the debut novel by Paul Stanbridge, is a monster. A unique retelling of Don Quixote and the fourteenth century Peasants' Revolt – it's also a gleeful hybrid of science, pseudo-science, absurd theory and ingenious philosophy. Above all, it's a story about love, companionship, and two friends: Don and Is. This profoundly odd couple career around Essex and London, insulting drinkers, abusing drivers, curing plague, and fighting each other and everyone arou...
Winner of the 2022 Gordon Burn Prize Shortlisted for 2023 British Book Awards Book of the Year in the Discover category Usman Khan was convicted of terrorism-related offences at age 20, and sent to high-security prison. He was released eight years later, and allowed to travel to London for one day, to attend an event marking the fifth anniversary of a prison education programme he participated in. On 29 November 2019, he sat with others at Fishmongers’ Hall, some of whom he knew. Then he went to the bathroom to retrieve the things he had hidden there: a fake bomb vest and two knives, which he taped to his wrists. That day, he killed two people: Saskia Jones and Jack Merritt. Preti Taneja t...
Chosen by The Observer as a Fiction Pick for 2016 and described as a 'scintillating novel of ideas', Feeding Time is a debut like no other: a blast of rage against the dying of the light. Dot is losing the will to live. Tristan is sick of emptying bedpans. Cornish spends entire days barricaded in his office. And Ruggles... well. Ruggles is damn well going to escape those Nazi villains and get back to active duty. The mix is all the more combustible since Dot, Tristan, Cornish and Ruggles are all under the same roof – that of a rapidly declining old people's home called Green Oaks. There's going to be an explosion. It's going to be messy. And nobody knows who will pick up the pieces.
This book examines the developments in women’s sports history in Britain in the last 10 years, following on from its successful predecessor Women and Sport History (2010). It considers what has changed and what continuities persist drawing on a series of contributions from authors who are active in the field. The chapters included in this book cover a broad time frame and range of topics such as the history of women’s football in Scotland and England; women’s role in rugby leagues; women’s sport during World War II; and female participation in American football, cricket and cycling. Written and edited during the early days of the COVID-19 pandemic, the book also reflects on the possible implications of the pandemic on women’s sport. In doing so, it highlights the diversity of research currently being undertaken in the field and touches on areas which remain overlooked or underdeveloped. The chapters in this book were originally published as a special issue of Sport in History.
A hallucinatory, fragmentary, and tragic fictional telling of one of the most fa- mous psychotherapy cases in history, A lex Pheby’s Playthings offers a visceral and darkly comic portrait of paranoid schizophrenia. Based on the true story of nineteenth-century German judge Daniel Paul Schreber, Playthings artfully shows the disorienting human tragedy of Schreber’s psychosis, in vertiginous prose that blurs the lines between madness and sanity.