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The Poet's Tale
As the year 1386 began, Geoffrey Chaucer was a middle-aged bureaucrat and sometime poet, living in London and enjoying the perks that came with his close connections to its booming wool trade. When it ended, he was jobless, homeless, out of favour with his friends and living in exile. Such a reversal might have spelled the end of his career; but instead, at the loneliest time of his life, Chaucer made the revolutionary decision to 'maken vertu of necessitee' and keep writing. The result - The Canterbury Tales - was a radically new form of poetry that would make his reputation, bring him to a national audience, and preserve his work for posterity. In The Poet's Tale, Paul Strohm brings Chaucer's world to vivid life, from the streets and taverns of crowded medieval London to rural seclusion in Kent, and reveals this crucial year as a turning point in the fortunes of England's most important poet.
Politique
Taking points of departure from Quentin Skinner and J. G. A. Pocock, Paul Strohm deploys superior powers of textual and linguistic analysis to uncover a 'pre-Machiavellian moment': an historical phase which saw political discourse deployed with unprecedented slipperiness and subtlety; a time when it was thought possible not just to follow Fortune, but to jam her turning wheel. That this should have occurred in the fifteenth century, a period regarded as too dull, tradition-bound, or chaotic for significant discursive innovation, is just one of the surprises of this remarkable book. Little-regarded writers such as Fortescue and Pecock, Whethamstede and Warkworth, emerge as figures of compelling interest; John Lydgate, once dismissed as Chaucer's dullest successor, opens paths to the Mirror for Magistrates and to the heart of Shakespearean history. This book is recommended to scholars and students of medieval and Renaissance history and literature and to all those fascinated by languages of conspiracy, destiny, and government. -David Wallace, University of Pennsylvania
Social Chaucer
This text analyzes the effect of Chaucer's poetry on his contemporary readers, examining how he and his audience understood their society and how this is reflected in the works. This book provides a fuller understanding of Chaucer's world and the social implications of literary styles and form.
England's Empty Throne
The methods employed by the Lancastrian usurpers in their attempts to legitimise their dynasty's hold in the English throne included the reburying of the murdered Richard II, the invention of chronicles, prophecies and genealogies, new methods of trial and punishment, the use of spies, and the radical redefinition of treason. Strohm uses both literary and historical analysis to explore this quest for legitimacy, and the importance of symbolic activity to Henry IV and V.
Conscience: A Very Short Introduction
Where does our conscience come from, and how reliable is it? Exploring its deep historical roots, Paul Strohm considers what conscience has meant to successive generations. Using examples from popular culture and contemporary politics he demonstrates that conscience is as important today as it has ever been.
Hochon's Arrow
"The paradox of the lie that might as well be true," writes Paul Strohm, "must interest anyone who seeks to understand texts in history or the historical influence of texts." In these seven essays, all recent and most published here for the first time, the author examines historical and literary texts from fourteenth-century England. He not only demonstrates the fictionality of narrative and documentary sources, but also argues that these fictions are themselves fully historical. Together the essays institute a dialogue between texts and events that restores historical documents and literary works to their larger environments. Strohm begins by inspecting legal records that accuse Hochon of L...
Conscience: A Very Short Introduction
Where does our conscience come from? How reliable is it? In the West conscience has been relied upon for two thousand years as a judgement that distinguishes right from wrong. It has effortlessly moved through every period division and timeline between the ancient, medieval, and modern. The Romans identified it, the early Christians appropriated it, and Reformation Protestants and loyal Catholics relied upon its advice and admonition. Today it is embraced with equal conviction by non-religious and religious alike. Considering its deep historical roots and exploring what it has meant to successive generations, Paul Strohm highlights why this particularly European concept deserves its reputati...
Chaucer's Tale
"A lively microbiography of Geoffrey Chaucer, the "father of English literature", focusing on the surprising and fascinating story of the tumultuous year that led to the creation of the Canterbury Tales"--Provided by publisher.
The Performance of Self
Medieval courtiers defined themselves in ceremonies and rituals. Tournaments, Maying, interludes, charivaris, and masking invited the English and French nobility to assert their identities in gesture and costume as well as in speech. These events presumed that performance makes a self, in contrast to the modern belief that identity precedes social performance and, indeed, that performance falsifies the true, inner self. Susan Crane resists the longstanding convictions that medieval rituals were trivial affairs, and that personal identity remained unarticulated until a later period. Focusing on England and France during the Hundred Years War, Crane draws on wardrobe accounts, manuscript illuminations, chronicles, archaeological evidence, and literature to recover the material as well as the verbal constructions of identity. She seeks intersections between theories of practice and performance that explain how appearances and language connect when courtiers dress as wild men to interrupt a wedding feast, when knights choose crests and badges to supplement their coats of arms, and when Joan of Arc cross-dresses for the court of inquisition after her capture.
