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First Light
Confronting his own mortality and that of his fellow soldiers every day - and working within a profession that was less than well equipped to deal with the dangers that it faced - Wharton's journey is one of courage, bravery and the unsurpassed strength and humility of young men at war.
Pulling It All Together
Everyone looks in the mirror and sees imperfections, even models and celebrities. But you don’t need to spend money on expensive skin treatments and spa visits. In Pulling It All Together, Paul Wharton shares the secrets of styling teams and the tricks photographers use to turn everyday women into supermodels. Wharton offers shopping, grooming, and lifestyle tips that will have you feeling drop-dead gorgeous and ready to take on the extraordinary adventures and all the good things life has in store. In the book you’ll find advice on: Fashion: dressing slimmer, how to accessorize, and, of course, shoes Skin care: exfoliation, masks, and more Makeup: foundation, mascara, and everything in between When you take the time to pull your look together, it frees up your mind to think more clearly and focus on what’s in front of you. An expert in front of and behind the camera, fashion and beauty consultant, lifestyle expert, and an entrepreneur with skin and hair care lines, Wharton is pivotally positioned to share keen insight and wisdom to make the world more beautiful one person at a time.
All the Year Round
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Stories and Parables for Preachers and Teachers
A collection of brief stories for those who wish to share their faith: preachers, teachers, spiritual directors, catechists, and parents.
Edith Wharton, Willa Cather, and the Place of Culture
Edith Wharton and Willa Cather wrote many of the most enduring American novels from the first half of the twentieth century, including Wharton’s The House of Mirth, Ethan Frome, and The Age of Innocence, and Cather’s O Pioneers!, My Ántonia, and Death Comes for the Archbishop. Yet despite their perennial popularity and their status as major American novelists, Wharton (1862–1937) and Cather (1873–1947) have rarely been studied together. Indeed, critics and scholars seem to have conspired to keep them at a distance: Wharton is seen as “our literary aristocrat,” an author who chronicles the lives of the East Coast, Europe-bound elite, while Cather is considered a prairie populist ...
The Empty Cradle of Democracy
During the 1990s, Greece had a very high rate of abortion at the same time that its low birth rate was considered a national crisis. The Empty Cradle of Democracy explores this paradox. Alexandra Halkias shows that despite Greek Orthodox beliefs that abortion is murder, many Greek women view it as “natural” and consider birth control methods invasive. The formal public-sphere view is that women destroy the body of the nation by aborting future citizens. Scrutiny of these conflicting cultural beliefs enables Halkias’s incisive critique of the cornerstones of modern liberal democracy, including the autonomous “individual” subject and a polity external to the private sphere. The Empty...
The Critical Reception of Edith Wharton
Ironically, now that she is becoming recognized as a Modernist by some, and as perhaps the greatest American writer of her generation, the criticism often obfuscates more than it reveals. The reasons reside in critics' loyalties to various theoretical approaches, the objectivity of which are often compromised by political hopes. This volume not only traces and analyzes the development of Whartonian literary criticism in its historical and political contexts, but also allows Edith Wharton, herself a literary critic, to respond to various concepts through the author's deductions and extrapolations from Wharton's own words.
Edith Wharton and the Visual Arts
This work explores Edith Wharton's career-long concern with a 19th-century visual culture that limited female artistic agency and expression. Wharton repeatedly invoked the visual arts as a medium for revealing the ways that women's bodies have been represented (as passive, sexualized, infantalized, sickly, dead). Well-versed in the Italian masters, Wharton made special use of the art of the Pre-Raphaelite Brotherhood, particularly its penchant for producing not portraits of individual women but instead icons onto whose bodies male desire is superimposed.
