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This is the story of Pilar, an independent and practical yet restless young woman, whose life is forever changed by an encounter with a childhood friend.
This volume presents a collection of papers of recent generative research into the properties of phrasal and feature movement, which explore these key syntactic phenomena from different angles and across languages. The papers advance or build on models of movement which capitalize either on generalized feature movement or on generalized remnant movement. Both these approaches attempt to develop a restrictive theory of movement aiming at a simplification of the operations of the computational system. Despite the fact that they are so different technically, generalized feature movement and generalized remnant movement both push the theory of movement to the same direction in two important respects: (a) Elimination of head movement. (b) Elimination of covert movement. The book is of primary interest to researchers and students in theoretical linguistics and syntactic theory.
European Portuguese, like other Romance languages, display a great amount of word order variation. Out of the six logically possible permutations between Subject, Verb and Complement in a transitive sentence, five are possible: SVO, VSO, VOS, OVS and OSV. The primary goal of this book is to provide an analysis of the several positions where the subject may surface in European Portuguese. Departing from an architecture of the clause as sketched in early minimalist work, containing two subject-related functional categories above VP (AgrP and TP), it is shown that the subject may surface in all potential landing sites: Spec,AgrP, Spec,TP and Spec,VP. Moreover, just like any other argument of th...
Includes field staffs of Foreign Service, U.S. missions to international organizations, Agency for International Development, ACTION, U.S. Information Agency, Peace Corps, Foreign Agricultural Service, and Department of Army, Navy and Air Force
Made in Brazil: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of twentieth-century Brazilian popular music. The volume consists of essays by scholars of Brazilian music, and covers the major figures, styles, and social contexts of pop music in Brazil. Each essay provides adequate context so readers understand why the figure or genre under discussion is of lasting significance to Brazilian popular music. The book first presents a general description of the history and background of popular music in Brazil, followed by essays that are organized into thematic sections: Samba and Choro; History, Memory, and Representations; Scenes and Artists; and Music, Market and New Media.
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This book brings together key scholars writing on Brazilian slavery and abolition, emphasizing the profound impact it had on the social, political, and institutional history of modern Brazil. For the first time, English-language readers can access in one place arguments that have transformed the historiography of Brazilian slavery.
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André Bazin remains one of the most read, most studied, and most engaging figures ever to have written about film. Fifty years after his death, he is still widely recognized as cinema's most significant philosopher-critic. Always an important presence within cinema theory, Bazin has seen a massive resurgence of interest among critics, scholars, and students now that an electronic archive of his entire critical output has been catalogued. Opening Bazin assesses the great critic's influence and legacy, with essays from several generations of the very best film scholars: Gunning, Frodon, Margulies, Conley, MacCabe, Narboni, and Vernet, to name just a few. Ultimately, these essays reaffirm Bazin's relevance in this new century, tracing his lineage, debating his aesthetics, locating him in the rich cultural moment of postwar France, and tracking the effect of his thought around the world.