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The searing novel on which the internationally acclaimed hit film was based. “A Scarface-like urban epic . . . punctuated with lyricism and longing” (Publishers Weekly). City of God is a gritty, gorgeous tour de force from one of Brazil’s most notorious slums. Cidade de Deus: a place where the streets are awash with narcotics, where violence can erupt at any moment over drugs, money, and love—but also a place where the samba beat rocks till dawn, where the women are the most beautiful on earth, and where one young man wants to escape his background and become a photographer. When City of God erupted on screens worldwide, it became one of the most critically and commercially successfu...
On the transformation of a favela--an urban success story on the Brazilian coast This illustrated volume documents the transformation of the favela Mãe Luíza, as an example of how to build community, create citizenship and identity, and promote initiative and participation. Alongside a story by Brazilian author Paulo Lins, short articles and essays trace the history of Mãe Luíza from the point of view of local activists, as well as invited authors from various fields. With roughly 15,000 inhabitants, Mãe Luíza, located near the ocean in the Brazilian city of Natal, is a favela with all the familiar grievances. In 1984, Italian transplant Padre Sabino Gentili founded the Centro Sócio. With community participation, the Centro created much-needed social infrastructure. After Padre Sabino's death, the Ameropa Foundation further invested in the infrastructure--efforts that culminated in the construction of a sports arena and a music school designed by Swiss architects, facilities usually lacking on the Brazilian peripheries.
This dark, compelling, occasionally inappropriate, and often hilarious linked story collection introduces a character who defies all stereotypes about urban life and Indians.
LONGLISTED FOR THE EDINBURGH FESTIVAL FIRST BOOK AWARD The Sun on My Head is a collection of thirteen stories set in Rio's largest favela, gravitating around the lives of young boys and men who, in spite of having to deal with the anguish and difficulties inherent to their age, also struggle with the violence involved in growing up on the less favoured side of the 'Broken City'. They smoke weed, sell weed, and notice the smell of weed lingering on the clothes of passersby in the streets. A boy steals his security-guard father's gun to show it to his friends, another runs into trouble disposing of a body, and another relapses into an old graffiti habit, with tragic consequences . Drugs and poverty colour them, but these stories also depict the pain of growing up with attendant hopes and desires. Geovani Martins has produced a spellbinding debut about masculinity, corruption, guilt, poverty and resilience. Completely of our time and yet profoundly timeless, it's a book that animates and humanises the people of a city whose humanity is often obscured by its own reputation.
The Atlantic Forest is one of the 36 hotspots for biodiversity conservation worldwide. It is a unique, large biome (more than 3000 km in latitude; 2500 in longitude), marked by high biodiversity, high degree of endemic species and, at the same time, extremely threatened. Approximately 70% of the Brazilian population lives in the area of this biome, which makes the conflict between biodiversity conservation and the sustainability of the human population a relevant issue. This book aims to cover: 1) the historical characterization and geographic variation of the biome; 2) the distribution of the diversity of some relevant taxa; 3) the main threats to biodiversity, and 4) possible opportunities to ensure the biodiversity conservation, and the economic and social sustainability. Also, it is hoped that this book can be useful for those involved in the development of public policies aimed at the conservation of this important global biome.
The End centers on five friends in Rio de Janeiro who, nearing the end of their lives, are left with memories—of parties, marriages, divorces, fixations, inhibitions, bad decisions—and the physical indignities of aging. Alvaro lives alone and spends his time going from doctor to doctor and bemoaning the evils of his ex-wife. Silvio is a junkie who can’t give up the excesses of sex and drugs even in his old age. Ribeiro is an athletic beach bum enjoying a prolonged sex life thanks to Viagra. Neto is the square member of the group, a faithful husband until his last days. And Ciro is the Don Juan envied by all—but the first to die, struck down by cancer. For all of them, successful careers, personal revelations, and Zen serenity are out of the question, blocked by a seemingly insurmountable wall of frustrations. Orbiting around them are a priest questioning his vocation and a cast of complicated women, neglected and embattled by these self-involved men. Edgy and wise, this tragicomic debut delves into taboo subjects—death, infidelity, impotence, the difficulties of marriage—with unsentimental honesty, and brings Rio and these characters to life in full color.
'An exhaustive look at the newest pope ... a highly worthwhile resource for Catholics and non-Catholics alike.' - Kirkus '...a superb guide into one of the most pivotal personalities of the 21st century' - Publishers Weekly A wise and perceptive portrait of Jorge Mario Bergoglio, the newly elected Bishop of Rome and 266th Pope, now in a revised and greatly expanded new edition. Pope Francis has enchanted and bewildered the world in equal measure with his compassion and his contradictions. Expanding greatly on his acclaimed earlier book Pope Francis: Untying the Knots, Paul Vallely reexamines the complex past of Jorge Mario Bertoglio and adds nine new chapters, revealing many untold, behind-t...
Leon Trotsky and Antonio Gramsci are two of the most important Marxist thinkers of the 20th century. This book explores the similarities and the differences between their philosophical and political theories. The first and second chapters deal with a still under-investigated aspect of Trotsky’s thought, i.e. his reflections on the issue of hegemony. The third chapter focuses on Gramsci’s critique of Trotsky in his Prison Notebooks, analysing Gramsci’s knowledge of Trotsky’s positions as well as the scope and limits of Gramsci’s critique. The fourth chapter consists of a critical rereading of Perry Anderson's essay Antinomies of Antonio Gramsci, originally published in 1976 and repu...
This Companion to Latin American Film is a new, up-to-date introduction to the best twenty-five films of the region. It is designed for the general reader who wants to know the basic facts, figures and ideas about the movies in Latin America. The introductory essay traces the history of Latin American cinema from its humble beginnings in the mid- 1890s until the smash hits of recent years: Like Water for Chocolate (1993), Central Station (1998), Love's a Bitch (2000), And your Mother Too (2001), City of God (2002). The early period when Latin American cinema was dominated by foreign film makers or foreign models (such as Hollywood), as well as the 1960s when as a genre it finally found its feet (the New Latin-American Cinema movement) - are also covered in depth. Each film chapter contains all the information you need -- cast and crew, awards, plot -- as well as a detailed analysis of the themes and techniques which make the film tick. There is a Guide to Further Reading which offers the reader advice on what to read next (all the important books, articles and Internet sites), as well as a Select Bibliography and an extensive index for ease of reference.