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Current Catalog
First multi-year cumulation covers six years: 1965-70.
PIANC Yearbook 2010
None
Alfonso X, the Learned
Recent publications about King Alfonso X have tended to focus on his role as monarch in the context of the institutions of the realm. This book, however, emphasizes the human dimension of this extraordinary figure. Drawing on King Alfonso’s own works and on extensive archival sources, both well-known and neglected, Salvador Martínez brings to life a king who valued the possession of knowledge above all earthly riches. The "Learned King" left a vast legacy of work, which would influence developments in both Spain and Europe, most significantly in the transfer of knowledge from the Arabs to the Christian West. With his intellectual curiosity and his pursuit of wisdom, Alfonso X is a towering figure at the origins of modernity.
Paulo O.F.
None
Cervantes, Raphael and the Classics
A study of classical influences on Cervantes, with particular attention to Raphael.
Borderland Beat
The Borderland Beat Project is collaboration from a group of people of different backgrounds located in the U.S. and Mexico that gather information related to the Mexican drug cartels and presents it in English through the internet, publications and presentations. The information in this book is fast-paced, with a lot of DTO information thrown at you at once. It's filled with sicario activity and the Mexican government's attempt to intervene, but it also contains a lot of direct, behind-the-scenes information from the author. This particular information is the involvement of the author from his early stages when he started to formalize his plan to bring to life the Borderland Beat Project. Follow Buggs as he sets the stage and takes you on a wild ride in to the dark shadows of the violence and chaos of the Mexican drug cartels. A narrative, as told in the deep dark pages of the Borderland Beat blog.
The Body in Crisis
A major theoretical work by Brazilian dance scholar Christine Greiner explores the political relevance of bodily arts in the age of neoliberal globalization
