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The Long Roots of Formalism in Brazil
The present studies on Brazilian modern art seek to specify some of the dominant contradictions of capitalism’s combined but uneven development as these appear from the global ‘periphery’. The grand project of Brasília is the main theme of the first two chapters, which treat the ‘ideal city’ as a case study in the ways in which creative talent in Brazil has been made to serve in the reproduction of social iniquities whose origins can be traced back to the agrarian latifundia. Further chapters scrutinise the socio-historical basis of Brazilian art, and develop, against the grain of the most prominent art historical approaches to modern Brazilian culture, a critical approach to the distinctly Brazilian visual language of geometrical abstraction. The book contends that, from the fifties up to today, formalism in Brazil has expressed the hegemony of the market.
Anos 70
Os anos 70 sao lembrados como um periodo de grande efervescencia cultural e conservam um amplo acervo historico-estetico-ideologico ainda nao completamente explorado. Anos 70: Trajetorias e inspirado num evento multidisciplinar e reune textos de diversos autores a respeito das principais discussoes ocorridas no periodo.
Transcontinental
Art produced in the so-called Third World, or by non-European or North American artists, is usually seen as either traditional and folkloric, or a poor imitation of modernism. In art history, the avant-garde has always been associated with the Western metropolis, forgetting that every country has had its own particular relationship with modernity. This book describes a contemporary flourishing of radical artistic experiment in Argentine, Brazil and Chile (or by artists originating from there). The focus and priorities have been different to those of Europe and North America; at the same time, the work intensifies many of the issues which face us all. The nine artists whose work is described ...
Constructing an Avant-Garde
How Brazilian postwar avant-garde artists updated modernism in a way that was radically at odds with European and North American art historical narratives. Brazilian avant-garde artists of the postwar era worked from a fundamental but productive out-of-jointness. They were modernist but distant from modernism. Europeans and North Americans may feel a similar displacement when viewing Brazilian avant-garde art; the unexpected familiarity of the works serves to make them unfamiliar. In Constructing an Avant-Garde, Sérgio Martins seizes on this uncanny obliqueness and uses it as the basis for a reconfigured account of the history of Brazil’s avant-garde. His discussion covers not only widely...
Brazilian Art Under Dictatorship
After the Brazilian military took power in a coup in 1964, many artists tried to distance themselves from politics; others went into exile. This book covers the most culturally repressive years of the regime, from 1968-74 and looks at artists who found their own visual language of resistance, outside government-controlled cultural centers or the militant left.
The Conspiracy of Modern Art
In The Conspiracy of Modern Art the Brazilian critic and art-historian Luiz Renato Martins presents a new account of modern art from David to Abstract Expressionism. The once vibrant debate on these touchstones of modernism has gone stale. Viewed from the Sao Paulo megalopolis the art of Paris and New York - embodying Revolution, Thermidor, Bonapartistm and Bourgeois ‘Triumph' - once more pulsates in tragic key. Equally attentive to form and politics, Martins invites us to look again at familiar pictures. In the process, modern art appears in a new light. These essays, largely unknown to an English-speaking audience, may be the most important contribution to the account of modern painting since the important debates of the 1980s.
Breaching the Frame
Circa 1960, artists working at the margins of the international art world breached the frame of canvas painting and ruptured the institutional frame of art. Members of the Brazilian Neoconcrete group, such as HŽlio Oiticica and Lygia Clark, and their counterparts in Japan, such as Akasegawa Genpei and the Kansai-based Gutai Art Association, challenged the boundaries between art and non-art, between fiction and reality, between visual artwork and its discursive frame. In place of the indefinitely deferred promise of a revolution of the senses, artists called for Òdirect actionÓ here and now. Pedro Erber situates the beginnings of these profound transformations of art in the politically cha...
O Papel da Crítica na formação de um pensamento contemporâneo de arte no Brasil na década de 1970
O PAPEL DA CRÍTICA NA FORMAÇÃO DE UM PENSAMENTO CONTEMPORÂNEO DE ARTE NO BRASIL NA DÉCADA DE 1970 acompanha a dimensão crítica que anima a produção artística no Brasil nesta década e desempenha papel decisivo na formação de um pensamento contemporâneo de arte entre nós. Sabendo que a relação entre crítica e produção de arte, em diferentes graus e nuances, é constitutiva da arte moderna e contemporânea, o que tornaria essa relação tão determinante para a própria existência de uma produção de arte como aconteceu no Brasil da década de 1970? A obra apresenta os resultados de uma extensa e profunda pesquisa realizada pelas historiadoras da arte Fernanda Lopes Torres...
Brazilian History
This book offers the reader a critical and interdisciplinary introduction to Brazilian history. Combining a didactic approach with insightful historical analysis, it discusses the main political, cultural, and social developments taking place in the Latin American country from 1500 to 2010. The historical narrative leads the reader step by step and in chronological succession to a clear understanding of the country’s three main historical periods: the Colonial Period (1500-1822), the Empire (1822-1889), and the Republic (1889-present). Each phase is treated separately and subdivided according to the political developments and successive regional forces that controlled the nation’s territory throughout the centuries. At the end of each section, an individual chapter discusses the foremost cultural and artistic developments of the period, engaging perspectives on literature, music, and the visual arts, including cinema. Through its multifaceted approach, the book explores economic history, foreign policy, education and social history, as well as literary and artistic history to reveal the multiethnic and culturally diversified nature of Brazil in all its fullness.
Resisting Brazil's Military Regime
Praised by his many admirers as a "courageous and fearless" defender of human rights, Heráclito Fontoura Sobral Pinto (1893-1991) was the most consistently forceful opponent of the regime of Brazilian dictator Getúlio Vargas. John W. F. Dulles chronicled Sobral's battles with the Vargas government in Sobral Pinto, "The Conscience of Brazil": Leading the Attack against Vargas (1930-1945), which History: Reviews of New Books called "a must-read for anyone wanting to understand twentieth-century Brazil." In this second and final volume of his biography of Sobral Pinto, Professor Dulles completes the story of the fiery crusader's fight for democracy, morality, and justice, particularly for the...
