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Contemporaries of Erasmus
Offers biographical information about the more than 1900 people mentioned in the correspondence and works of Erasmus who died after 1450 and were thus approximately his contemporaries.
The Correspondence of Erasmus
Volume 18 in the Collected Works of Erasmus series covers the period from 1 April 1531 to 30 March 1532. The most persistent theme in the letters is the fear, to which Erasmus had long been prey, that the religious strife in Germany and Switzerland would eventually lead to armed conflict. His Catholic and Evangelical critics continued to annoy him. In June 1531 Erasmus published his final apologia against Alberto Pio, who had accused him of being the source of the Lutheran heresy. Though Erasmus’ public controversy with the Strasbourg theologians had come to an end in 1530, he wrote a long letter to Martin Bucer emphasizing his doctrinal differences with the Strasbourgers and his low estimate of their moral character. Erasmus’ financial affairs also figure prominently in the letters between him and his friend, the banker Erasmus Schets. The letters between them are testimony to his impatience with people who owed him money, his frequent inability to understand the details of his own finances, and his quickness to assume that people he trusted were cheating him. Volume 18 of the Collected Works of Erasmus series
Chamber Music
Oxford's highly successful listener's guides--The Symphony, The Concerto, and Choral Masterworks--have been widely praised for their blend of captivating biography, crystal clear musical analysis, and delightful humor. Now James Keller follows these greatly admired volumes with Chamber Music. Approaching the tradition of chamber music with knowledge and passion, Keller here serves as the often-opinionated but always genial guide to 192 essential works by 56 composers, providing illuminating essays on what makes each piece distinctive and admirable. Keller spans the history of this intimate genre of music, from key works of the Baroque through the emotionally stirring "golden age" of the Clas...
Unfinished History
David Montgomery’s Unfinished History challenges the traditional story of Franz Schubert’s B-minor Symphony and searches for a more credible account of this great work. Written for all Schubert lovers from lay readers to musicians and musicologists, the book reviews a strangely persistent mythology concerning the symphony, continuing with the first in-depth examination of its manuscript and related documents. Details of handwriting, notation, paper, watermarks, compositional procedures, and stylistic contexts suggest a new year and country of origin for the “Unfinished” Symphony, a possible explanation for the absence of a finale in the sketches, and an alternative account of the sco...
The Cult of Saint Katherine of Alexandria in Late-Medieval Nuremberg
Katherine of Alexandria was a major object of devotion within medieval Europe, ranking second only to the Virgin Mary in the canon of female saints. Yet despite her undoubted importance, relatively little is known about the significance and function of her cult within the German-speaking territories that stood at the heart of Europe. Anne Simon's study adds a welcome new interdisciplinary perspective to the study of Saint Katherine and the wider ecclesiastical landscape of a medieval Europe poised on the edge of religious change. Taking as a case study the wealthy and politically influential merchant city of Nuremberg, this book draws on a wide variety of textual and visual sources to explor...
Anton Bruckner and the Reception of His Music
A bold, deeply researched, and long-needed debunking of the platitudes and prejudices that have long clouded our view of the personality and compositional habits of Anton Bruckner. Bruckner was, and continues to be, among the most divisive figures in the history of nineteenth-century music, in large part owing to the complexities and contradictions of his personality and the amalgam of differing stylistic features that characterize his musical language. Miguel J. Ramirez's insightful book scrutinizes the stereotypes about Bruckner's personality that loom large in the public imagination, the controversial editorial policies behind the publication of his collected works, and the trends in the ...
