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Pedro de Lemos
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Carmel
Carmel is a microcosm of California's architectural heritage, sited at one of the most scenic meetings of land and sea in the world. Mission San Carlos Borromeo became a root building for California's first regional building style, the Mission Revival. "Carmel City," as it was called in the 1880s, was marketed as a seaside resort for Catholics. Its pine-studded sand dunes survived the imposition of a standard American gridiron street pattern, with a Western, false-front main street, to become "Carmel-by-the-Sea." Artists, academics, and writers embraced the arts-and-crafts aesthetic of handcrafted homes built from native materials, informally sited in the landscape. In the mid-1920s, Tudor Revival and Spanish Romantic Revival styles enhanced the storybook quality of the community. Carmel's architectural character is primarily the product of working builders. Its design traditions have been interpreted and modified for modern times by noted architects, building designers, and craftsmen. Individual expression continues as an ongoing aesthetic theme.
Applied Art: Drawing, Painting, Design And Handicraft
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Color Woodcut International
Color woodcut printmaking was not new to Britain, America, or Japan in the late eighteenth century. Yet after Japan was opened to the West in 1854 and deeper cultural exchange began, Japanese prints captured the European and American imagination. The fresh colors, simplicity of materials, and departure from traditional compositions entranced western artists and the public alike. Likewise, Japanese audiences and artists were intrigued by the styles and techniques of western art, which was broadly available in Japan by the end of the nineteenth century. Artists there created images of the strange foreigners and imagined what American cities looked like. By the beginning of the twentieth centur...
Geography, Cartography and Nautical Science in the Renaissance
The transformation of the medieval European image of the world in the period following the Great Discoveries of the 15th and 16th centuries is the subject of this volume. The first studies deal specifically with the emergence of the concept of the terraqueous globe. In the following pieces Dr Randles looks at the advances in Portuguese navigation and cartography that helped sailors overcome the obstacles to the circumnavigation of Africa and the crossing of the Atlantic, and at the impact of the Discoveries on European culture and science. Other articles are concerned with Portuguese naval artillery, and with attempts to classify the indigenous societies of the newly-discovered lands and to map the interior of Africa.
The Art Teacher
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Diagnostic Methods in the Cardiac Catheterization Laboratory
The tools necessary for correctly identifying complex coronary lesions and plaques. The data required to accurately diagnose rare disease progression and patterns. With Diagnostic Methods in the Cardiac Catheterization Laboratory, all of the essential diagnostic modalities you need in the lab are at your fingertips. This new force in cardiology is
Las Obras en Verso Del Príncipe de Esquilache
Este volumen ofrece el primer estudio monogr©Łfico sobre uno de los poetas m©Łs citados y peor conocidos del barroco espa©łol: Francisco de Borja, pr©Ưncipe de Esquilache. Sus Obras en verso, publicadas por primera vez en 1648, constituyen uno de los proyectos laureados m©Łs elaborados y conscientes de la primera mitad del XVII. No s©đlo se trata de uno de los pocos cancioneros barrocos espa©łoles curados y editados por su propio autor, sino tambi©♭n del primer volumen de poes©Ưa dado a la imprenta por un miembro de la alta aristocracia castellana. En ©♭l, y desde la distancia de los a©łos y la poes©Ưa, el pr©Ưncipe de Esquilache recrea e instrumentaliza su estrec...
School Arts
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