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First published in 1961, A New History of Spanish Literature has been a much-used resource for generations of students. The book has now been completely revised and updated to include extensive discussion of Spanish literature of the past thirty years. Richard E. Chandler and Kessel Schwartz, both longtime students of the literature, write authoritatively about every Spanish literary work of consequence. From the earliest extant writings though the literature of the 1980s, they draw on the latest scholarship. Unlike most literary histories, this one treats each genre fully in its own section, thus making it easy for the reader to follow the development of poetry, the drama, the novel, other ...
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This book constitutes the refereed proceedings of the 22nd International Conference on Logic Programming, ICLP 2006, held in Seattle, WA, USA, in August 2006. This volume presents 20 revised full papers and 6 application papers together with 2 invited talks, 2 tutorials and special interest papers, as well as 17 poster presentations and the abstracts of 7 doctoral consortium articles. Coverage includes all issues of current research in logic programming.
Beginning with a reassessment of the 1920s and 30s, this text looks beyond a consideration of just the most successful Spanish playwrights of the time, and discusses also the work of directors, theorists, actors and designers.
The Cultural Politics of Twentieth-Century Spanish Theater argues that twentieth-century artists used the Golden Age Eucharist plays called autos sacramentales to reassess the way politics and the arts interact in the Spanish nation's past and present, and to posit new ideas for future relations between the state and the national culture industry. The book traces the phenomenon of the twentieth-century auto to show how theater practitioners revisited this national genre to manifest different, oftentimes opposing, ideological and aesthetic agendas. It follows the auto from the avant-garde stagings and rewritings of the form in the early twentieth century, to the Francoist productions by the Teatro Nacional de la Falange, to postmodern parodies of the form in the era following Franco's death to demonstrate how twentieth-century Spanish dramatists use the auto in their reassessment of the nation's political and artistic past, and as a way of envisioning its future.
Prior to 1870, the series was published under various names. From 1870 to 1947, the uniform title Papers Relating to the Foreign Relations of the United States was used. From 1947 to 1969, the name was changed to Foreign Relations of the United States: Diplomatic Papers. After that date, the current name was adopted.
This book constitutes the refereed proceedings of the 7th International Symposium on Functional and Logic Programming, FLOPS 2004, held in Nara, Japan, in April 2004. The 18 revised full papers presented together with 3 invited contributions were carefully reviewed and selected from 55 submissions. The papers are organized in topical sections on logic and functional-logic programming, applications, program analysis, rewriting, types and modules, logic and semantics, and functional programming.