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The Other Roots
First published in 1936, the classic work Roots of Brazil by Sérgio Buarque de Holanda presented an analysis of why and how a European culture flourished in a large tropical environment that was totally foreign to its traditions, and the manner and consequences of this development. In The Other Roots, Pedro Meira Monteiro contends that Roots of Brazil is an essential work for understanding Brazil and the current impasses of politics in Latin America. Meira Monteiro demonstrates that the ideas expressed in Roots of Brazil have taken on new forms and helped to construct some of the most lasting images of the country, such as the "cordial man," a central concept that expresses the Ibero-Americ...
The first class: transits of brazilian literature abroad
What does a professor – Brazilian or otherwise – think and do on the first day of class, standing before a group of “foreign” students to talk about Brazilian literature? This apparently simple question that gave rise to the essays gathered in this book opens a series of other questions: Who is this professor? How did he or she go about planning that first class? What challenges do professors face when teaching the literature of a country different from that of their students, and in a language which is, in most cases, likewise unfamiliar to them? The result is not just an excellent sampling of experiences and reflections – it is also an homage, an elegy to those who have transformed Brazilian literature itself into a globetrotting, thought-provoking literary character.
Roots of Brazil
Sérgio Buarque de Holanda's Roots of Brazil is one of the iconic books on Brazilian history, society, and culture. Originally published in 1936, it appears here for the first time in an English language translation with a foreword, "Why Read Roots of Brazil Today?" by Pedro Meira Monteiro, one of the world's leading experts on Buarque de Holanda. Roots of Brazil focuses on the multiple cultural influences that forged twentieth-century Brazil, especially those of the Portuguese, the Spanish, other European colonists, Native Americans, and Africans. Buarque de Holanda argues that all of these originary influences were transformed into a unique Brazilian culture and society—a "transition zon...
Rethinking Third Cinema
In 1968, Argentinean Filmmakers Fernando Solanas and Octavio Getino first articulated the theory of a "Third Cinema" - a revolutionary genre of cinema that would counter oppression on a global scale. Intended to be a "guerilla cinema" geared at contesting the overwhelming dominance of Western cinema, Solana and Getino distinguished "Third Cinema" from other forms of cinema, classifying these other types as First Cinema (commercial cinema epitomized by Hollywood) and Second Cinema. "Third Cinema" was supposed to be a liberationary tool - particularly for the bulk of the world that was subject to European imperialism, such as Latin America, Africa and Asia. Spanning a wide geographical spread ...
Writing by Ear
Considering Brazilian novelist Clarice Lispector’s literature as a case study and a source of theory, Writing by Ear presents an aural theory of the novel based on readings of Near to the Wild Heart (1943), The Besieged City (1949), The Passion According to G.H. (1964), Agua Viva (1973), The Hour of the Star (1977), and A Breath of Life (1978). What is the specific aesthetic for which listening-in-writing calls? What is the relation that listening-in-writing establishes with silence, echo, and the sounds of the world? How are we to understand authorship when writers present themselves as objects of reception rather than subjects of production? In which ways does the robust oral and aural c...
Nossa and Nuestra América
Is Brazil part of Latin America or an island unto itself? As Nossa and Nuestra Am (c)rica: Inter-American Dialogues demonstrates, this question has been debated by Brazilian and Spanish American intellectuals alike since the early nineteenth century, though it has received limited scholarly attention and its answer is less obvious than you might think. This book charts Brazil's evolving and often conflicted relationship with the idea of Latin America through a detailed comparative investigation of four crucial Latin American essayists: Uruguayan critic Jos (c) Enrique Rod 3, Brazilian writer-diplomat Joaquim Nabuco, Mexican humanist Alfonso Reyes, and S (c)rgio Buarque de Holanda, one of Brazil's preeminent historians. The author argues that Brazil plays a necessary"and necessarily problematic"role in the intellectual construction of Latin America. Nossa and Nuestra Am (c)rica will be of interest to scholars and students of Latin American and Luso-Brazilian literature and ideas, and to anyone interested in rethinking comparative approaches to literary texts written in Portuguese and Spanish.
A Cultural History of Rio de Janeiro after 1889
This book studies architecture and literature of Rio de Janeiro, the “Marvellous City,” from the revolution of 1889 to the Olympics of 2016, taking the reader on a journey through the history of the city. This study offers a wide-ranging and thought-provoking insight that moves from ruins to Modernism, from the past to the future, from futebol to fiction, and from beach to favela, to uncover the surprising feature—decadence—at the heart of this unique and seemingly timeless urban world. An innovative and in-depth study of buildings, books, and characters in the city’s modern history, this fundamental new work sets the reader in the glorious world of Rio de Janeiro.
Enlightened Reform in Southern Europe and its Atlantic Colonies, c. 1750-1830
Efforts to ascertain the influence of enlightenment thought on state action, especially government reform, in the long eighteenth century have long provoked stimulating scholarly quarrels. Generations of historians have grappled with the elusive intersections of enlightenment and absolutism, of political ideas and government policy. In order to complement, expand and rejuvenate the debate which has so far concentrated largely on Northern, Central and Eastern Europe, this volume brings together historians of Southern Europe (broadly defined) and its ultramarine empires. Each chapter has been explicitly commissioned to engage with a common set of historiographical issues in order to reappraise...
In Slavery's Wake
Explore the modern-day impact of slavery and colonialism in this panoramic Black history for anti-racist readers of 1619 Project and Caste. The companion book to a groundbreaking exhibition on African American history and culture—with 150 powerful illustrations of people and objects. This powerful collection of essays brought to life with more than 150 illustrations investigates the intertwined legacies of slavery, freedom, and capitalism. In Slavery’s Wake frames the history of slavery in a global context to show how it created systems of oppression that continue to shape the world today. Compelling essays from key historians and scholars trace the contemporary resonances of slavery but...
Discourses on American Musical Theatre between São Paulo and New York
In this book, Bernardo Fonseca Machado examines the transnationalization of American Broadway and the resulting cultural exchanges between New York and São Paulo at the turn of the twenty-first century. Machado combines ethnography and history to track the complexities of discourses, imaginaries, and economic interests within the flow of musical people, capital, practices, pedagogies, and shows between these two cities.
