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Marjorie Harris Carr (1915-1997) is best known for leading the fight against the U.S. Army Corps of Engineers’ Cross Florida Barge Canal. In this first full-length biography, Peggy Macdonald corrects many long-held misapprehensions about the self-described “housewife from Micanopy,” who struggled to balance career and family with her husband, Archie Carr, a pioneering conservation biologist. Born in Boston, Carr grew up in southwest Florida, exploring marshes and waterways and observing firsthand the impact of unchecked development on the state’s flora and fauna. Macdonald’s work depicts a determined woman and Phi Beta Kappa scholar who earned undergraduate and graduate degrees in ...
A Border Within addresses the question of English Canadian identity by exploring whether a plurality of discourses can lead to other than a fragmented society. Ian Angus examines the relationship between globalizing social movements and the particularities of identity politics by extending the theories on identity of Harold Innis and George Grant, two seminal figures in Canadian political philosophy, to develop a philosophy applicable to the contemporary social issues of multiculturalism and environmentalism.
Female Road Stories. Book about Fearless Women who ride or rode Motorcycles across continents and more. Empowering Women's Stories from 20th and 21st Centuries.
These are just two children out of the thousands descended from the Cornish mining men who worked around the world, beginning in the 19th century.
This book is a genealogical record of some of the pioneer families who settled in the Mabou and District area of Cape Breton. In addition to genealogies of Mabou families, the book also offers biographical sketches of prominent ecclesiastics, a history of the Parish of Mabou, and a brief reflection on the compiling of genealogies. Mabou Pioneers is an indispensible reference to the genealogy of this remarkable Cape Breton community.
The step-dancing of the Scotch Gaels in Nova Scotia is the last living example of a form of dance that waned following the great emigrations to Canada that ended in 1845. The Scotch Gael has been reported as loving dance, but step-dancing in Scotland had all but disappeared by 1945. One must look to Gaelic Nova Scotia, Cape Breton, and Antigonish County, to find this tradition. Gaelic Cape Breton Step-Dancing, the first study of its kind, gives this art form and the people and culture associated with it the prominence they have long deserved. Gaelic Scotland’s cultural record is by and large pre-literate, and references to dance have had to be sought in Gaelic songs, many of which were tra...