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Liturgical rituals of the high festivals from Christmas to Ascension in late Anglo-Saxon England; liturgical practice derived from from vernacular homilies and sermons.
One of America’s most popular and influential American artists, Frederic Remington (1861–1909) is renowned for his depictions of the Old West. Through paintings, drawings, and sculptures, he immortalized a dynamic world of cowboys and American Indians, hunters and horses, landscapes and wildlife. Frederic Remington: A Catalogue Raisonné II is a comprehensive presentation of the artist’s body of flat work, both in print and on this book’s companion website. Beautifully illustrated with more than 150 figures and 100 color plates, this book offers insightful essays by notable art historians who explore Remington’s experiences in Taos, New Mexico, and other parts of the West. The chap...
"Once one of the most important port cities in the New World, Havana was a model for the planning and construction of other colonial cities. This book tells the story of how Havana was conceived, built, and managed and explores the relationship between colonial empire and urbanization in the Americas. Guadalupe García shows how the policing of urban life and public space by imperial authorities from the sixteenth century onward was explicitly centered on politics of racial exclusion and social control. She illustrates the importance of colonial ideologies in the production of urban space and the centrality of race and racial exclusion as an organizing ideology of urban life in Havana. Beyond the Walled City connects colonial urban practices to contemporary debates on urbanization, the policing of public spaces, and the urban dislocation of black and ethnic populations across the region"--Provided by publisher.
America's curiosity about elite military units is greater than ever in today's crisis-ridden world. And while numerous books have examined the various elite forces, Bunker Hill to Bastogne goes much further to show the relationship between these special units and the societies that gave birth to them. Though America in general has often regarded its military establishment as an unfortunate necessity, elite formations have nearly always emerged in moments of crisis. And while their exploits have fostered the cherished image of the individualistic but loyal rifleman-ranger, these legends have not always corresponded to reality. America's roster of heroic images has long included esteemed elite...
There have been many books on Theodore Roosevelt, but there are none that solely focus on the last years of his life. Racked by rheumatism, a ticking embolism, pathogens in his blood, a bad leg from an accident, and a bullet in his chest from an assassination attempt, in the last two years of his life from April 1917 to January 6, 1919, he went from the great disappointment of being denied his own regiment in World War I, leading a suicide mission of Rough Riders against the Germans, to the devastating news that his son Quentin had been shot down and killed over France. Suffering from grief and guilt, marginalized by world events, the great glow that had been his life was now but a dimming l...
In recent years, a series of major collections of posthumous writings by Elizabeth Bishop--one of the most widely read and discussed poets of the twentieth century--have been published, profoundly affecting how we look at her life and work. The hundreds of letters, poems, and other writings in these volumes have expanded Bishop‘s published work by well over a thousand pages and placed before the public a "new" Bishop whose complexity was previously familiar to only a small circle of scholars and devoted readers. This collection of essays by many of the leading figures in Bishop studies provides a deep and multifaceted account of the impact of these new editions and how they both enlarge an...
Longlisted for the 2024 National Book Award in Nonfiction “Sweeping...A new way to make sense not only of the past, but of the contemporary culture wars.” —New York Times Book Review “A provocative culmination of Slotkin’s field-defining arguments on the place of violence in creating America.” —Kathleen Belew “Brisk, bold, and thought-provoking.” —Daniel Lazare, Arts Fuse “[An] exciting and detailed new decoder ring of a book...While it is usually hyperbolic to claim that a book will change your life, this one may well have a permanent effect on how you consume and think about American political news.” —Tom Zoellner, Los Angeles Review of Books Red America and Blue ...
“Sheds new light on the history of Theodore Roosevelt and the legendary exploits of his illustrious ‘cowboy’ regiment?the Rough Riders.” —Bonnie M. Miller, author of From Liberation to Conquest At the turn of the twentieth century, Theodore Roosevelt personified American confidence. A New York City native and recovered asthmatic who spent his twenties in the wilds of the Dakota Territory, Roosevelt leapt into Spanish American War with gusto. He organized a band of cavalry volunteers he called the Rough Riders and, on July 1, 1898, took part in their charge up a Cuban hill the newspapers called San Juan, launching him to national prominence. Without San Juan, Van Atta argues, Roosev...
If not for an unlikely alliance among a bespectacled cowboy, a former Confederate general, and a millionaire newspaper publisher, the Spanish-American War might never have been. How these three outsize characters—Theodore Roosevelt, Joseph “Fighting Joe” Wheeler, and William Randolph Hearst—helped ignite the war that established the United States’ offshore empire is the rousing tale that Matthew Bernstein tells in Team of Giants. From his days as a Dakota deputy sheriff, Theodore Roosevelt had dreamed of leading a cowboy regiment into battle. With a little help from his friends, in 1898 he got his wish. While Roosevelt raised the Rough Riders in San Antonio, Congressman Wheeler del...
Just because the art is beautiful doesn't mean the artist was a saint . . . Scoundrels, Cads, and Other Great Artists examines the lives of nine great artists who were less than exemplary human beings in their lives outside of their art. It explores the question, “Why do we like magnificent art from artists who were awful human beings?” For example, the great Baroque painter, Caravaggio, who developed the chiaroscuro style of painting, was in constant trouble with the law, even having killed a man in a duel. Frederick Remington, the great painter of the American West, was an incredible racist and bigot. His evocative paintings of Native Americans on the trail on horseback give no hint of...