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"The Chinese garden has been explored from a variety of angles. Much has been written about its structural features as well as its cosmological, religious, philosophical, moral, aesthetic, and economic underpinnings. This book deals with the poetic configurations of the private garden in cities from the ninth to the eleventh century in relation to the development of the private sphere in Chinese literati culture. It focuses on the ways in which the new values and rhetoric associated with gardens and the objects found in them helped shape the processes of self-cultivation and self-imaging among the literati, as they searched for alternatives to conventional values at a time when traditional p...
Chapter Zero The Substitute Preface Ⅰ The Civilization of Sages and Worthies and Modern Civilization Ⅱ Knowledge of Wisdom Chapter One The Level of Worlds Ⅰ The Three Great Worlds of Matter, Energy and Information 1. The Relationship between Matter, Energy and Information 2. The Law of Period and Cycle 3. The pure information structure with no information structure II Altruism is Human Nature III The Universe is Unified in Ground State Information IV All Appearances are Empty and False. Chapter Two The Generation of All Things in the Universe Lecture One Concerning the Evolution of the Universe Lecture Two Theories and Mechanism of Evolution I Evolutionary Theories in Eastern and Weste...
" The poetry of the Late Tang often looked backward, and many poets of the period distinguished themselves through the intensity of their retrospective gaze. Chinese poets had always looked backward to some degree, but for many Late Tang poets the echoes and the traces of the past had a singular aura. In this work, Stephen Owen resumes telling the literary history of the Tang that he began in his works on the Early and High Tang. Focusing in particular on Du Mu, Li Shangyin, and Wen Tingyun, he analyzes the redirection of poetry that followed the deaths of the major poets of the High and Mid-Tang and the rejection of their poetic styles. The Late Tang, Owen argues, forces us to change our very notion of the history of poetry. Poets had always drawn on past poetry, but in the Late Tang, the poetic past was beginning to assume the form it would have for the next millennium; it was becoming a repertoire of available choices--styles, genres, the voices of past poets. It was this repertoire that would endure. "
In this book, Huaichuan Mou takes a fresh look at the life, times, and work of Wen Tingyun, the great poet of the late Tang dynasty in China, whose reputation has been overshadowed by notoriety and misunderstanding for more than a thousand years. In probing the political intricacies of the major events of Wen's life and the complex contexts in which these events took place, Mou presents a historical key to Wen's artistic labyrinth, unraveling many of Wen's poetic puzzles and rediscovering a historical past that vividly represents his unyielding pursuit of ideal government and true love. This reconstruction of the poet's life results in a new understanding not only of his literary work but also of late Tang history as well. Translations and close readings of a number of poems and prose essays are included.
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How the medieval study of ancient bronzes influenced the production of knowledge and the making of things in East Asia. This book opens in eleventh-century China, where scholars were the first in world history to systematically illustrate and document ancient artifacts. As Jeffrey Moser argues, the visual, technical, and conceptual mechanisms they developed to record these objects laid the foundations for methods of visualizing knowledge that scholars throughout early modern East Asia would use to make sense of the world around them. Of the artifacts these scholars studied, the most celebrated were bronze ritual vessels that had been cast nearly two thousand years earlier. While working to m...