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The Beauty with Poison 2
"The more handsome a man is, the more poisonous he is." The affectionate and kind-hearted Zhou Huan, who was destined to be surrounded by admirers, was originally a humble person in the troubled times. Greed for wealth led him to be tricked and taken to the palace by mistake, accidentally ending up in the emperor's bedchamber. Just after indulging in the pleasures of the flesh, he faced imminent danger. Initially only wanting to escape and survive, Zhou Huan unexpectedly glimpsed the unknown bitterness and helplessness deep within the puppet emperor's heart. "He stands high above everyone, enjoying the wealth and splendor of the world, surrounded by thousands of beautiful women in the imperi...
The Beauty with Poison
"The more handsome a man is, the more poisonous he is." The affectionate and kind-hearted Zhou Huan, who was destined to be surrounded by admirers, was originally a humble person in the troubled times. Greed for wealth led him to be tricked and taken to the palace by mistake, accidentally ending up in the emperor's bedchamber. Just after indulging in the pleasures of the flesh, he faced imminent danger. Initially only wanting to escape and survive, Zhou Huan unexpectedly glimpsed the unknown bitterness and helplessness deep within the puppet emperor's heart. "He stands high above everyone, enjoying the wealth and splendor of the world, surrounded by thousands of beautiful women in the imperi...
Women and the Reinvention of the Political
This is the first in-depth study of the feminist movement that swept Italy during the "long 1970s" (1968-1983), and one of the first to use a combination of oral history interviews and newly-released archive sources to analyze the origins, themes, practices and impacts of "second-wave" feminism. While detailing the local and national contexts in which the movement operated, it sees this movement as transnationally connected. Emerging in a society that was both characterized by traditional gender roles, and a microcosm of radical political projects in the wake of 1968, the feminist movement was able to transform the lives of thousands of women, shape gender identities and roles, and provoke p...
Portrait of the Artist and His Mother in Twentieth-Century Italian Culture
The power exercised by the mother on the son in Mediterranean cultures has been amply studied. Italy is a special case in the Modern Era and the phenomenon of Mammismo italiano is indeed well known. Scholars have traced this obsession with the mother figure to the Catholic cult of the Virgin Mary, but in fact, it is more ancient. What has not been adequately addressed however, is how Mammismo italiano has been manifested in complex ways in various modern artistic forms. Portrait of the Artist and His Mother in Twentieth-Century Italian Culture focuses on case studies of five prominent creative personalities, representing different, sometimes overlapping artistic genres (Luigi Pirandello, Pie...
Operatic and the Everyday in Postwar Italian Film Melodrama
Italian cinemas after the war were filled by audiences who had come to watch domestically-produced films of passion and pathos. These highly emotional and consciously theatrical melodramas posed moral questions with stylish flair, redefining popular ways of feeling about romance, family, gender, class, Catholicism, Italy, and feeling itself. The Operatic and the Everyday in Postwar Italian Film Melodrama argues for the centrality of melodrama to Italian culture. It uncovers a wealth of films rarely discussed before including family melodramas, the crime stories of neorealismo popolare and opera films, and provides interpretive frameworks that position them in wider debates on aesthetics and ...
La Mamma
The idea of the “mamma italiana” is one of the most widespread and recognizable stereotypes in perceptions of Italian national character both within and beyond Italy. This figure makes frequent appearances in jokes and other forms of popular culture, but it has also been seen as shaping the lived experience of modern-day Italians of both sexes, as well as influencing perceptions of Italy in the wider world. This interdisciplinary collection examines the invented tradition of mammismo but also contextualizes it by discussing other, often contrasting, ways in which the role of mothers, and the mother-son relationship, have been understood and represented in culture and society over the last century and a half, both in Italy and in its diaspora.
Children by Choice?
During the 20th century, medico-technical advances such as the invention of the latex condom (1930), the arrival of the contraceptive pill on the free market (1960/61) and the birth of the first child conceived by in vitro fertilization (1978) contributed to the fact that in Europe and the USA, the planning, conceiving and making of children was increasingly perceived as a matter of individual and collective decision-making. Especially since mid-century, these societies underwent profound political, economic and cultural evolutions. In the realm of human reproduction the relationship between the possible, the desirable, and the permitted had to be continually renegotiated. This volume examines in nine chapters how thinking, speaking and acting changed with regards to reproduction and family planning throughout the modern and post-modern period. Applying an international comparative perspective, the study specifically focuses on the role of value changes underlying these transformation processes.
