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To the Islands
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Utopia Tropicae
North Queensland exudes an energy unlike anywhere else in Australia. This is a difficult essence to pinpoint; an enigmatic and all-embracing aura reflective of climate and environment. This energy has engendered an authenticity of artistic expression amongst local artists, whose work reflects a sense of loyalty and identity to their environment, community, heritage, and future.Utopia Tropicae: the Spirit of the North seeks to celebrate these artists, who reside in, or, who have a strong connection to Townsville, Cairns, and the wider North Queensland region, and who have made an enduring commitment towards the area's visual arts and cultural conversation.
The Crossley Gallery, 1966-1980
When, in 1966, Tate Adams opened Crossley Gallery in a lane off Bourke Street, Melbourne, he ioneered the importation of contemporary Japanese prints by masters such as Munakata and Sasajima. These were shown alongside those emerging local artist printmakers including at that time Fred Williams, Roger Kemp, George Baldessin, Bea Maddock and many others. This productive collision of cultures soon established the Crossley Gallery and its associated activities - such as the Crossley Print Workshop - as the hub of activity in this art form. The book contains memoirs of those associated with the Gallery and features prints shown or commissioned by Tate Adams - a leading printmaker himself. It provides first-hand insights into a previously under-examined aspect of the development of contemporary art in Australia. Also comes as a special edition with original wood engraving by Tate Adams, special cloth binding and a slip-case.
Antipodean Currents
Antipodean currents: ten contemporary artists from Australia.
Roses and Red Earth
Photographic collection of Polish folk art in Australia. Based on a touring exhibition by Townsville's Perc Tucker Regional Gallery. Essays discuss folk art in Poland, the re-interpretation of folk art in Australia by Polish settlers, and the relationship between folk art and Polish identity. Includes profiles of featured artists.
Violent Salt
Publisher Artspace MackayWriters: Tracey Heathwood, Yhonnie Scarce, Natalie Thomas, Claire WatsonEditors: Yhonnie Scarce & Claire Watson
Our Way
Introduces the unique art of a group of young Aboriginal artists from far north Queensland's Lockhart River community.
Alchemy in Contemporary Art
Alchemy in Contemporary Art analyzes the manner in which twentieth-century artists, beginning with French Surrealists of the 1920s, have appropriated concepts and imagery from the western alchemical tradition. This study examines artistic production from c. 1920 to the present, with an emphasis on the 1970s to 2000, discussing familiar names such as Andre Breton, Salvador Dali, Yves Klein, Joseph Beuys, and Anselm Kiefer, as well as many little known artists of the later twentieth century. It provides a critical overview of the alchemical tradition in twentieth-century art, and of the use of occultist imagery as a code for political discourse and polemical engagement. The study is the first to examine the influence of alchemy and the Surrealist tradition on Australian as well as on Eastern European and Mexican art. In addition, the text considers the manner in which women artists such as Leonora Carrington, Remedios Varo, and Rebecca Horn have critically revised the traditional sexist imagery of alchemy and occultism for their own feminist purposes.
Art and Performance in Oceania
The Fifth International Symposium of the Pacific Arts Association, titled "Art, Performance, and Society," called for papers in sessions dealing with "Production and Performance," "Social and Cultural Context," "The Record and the Remainder," and "The Mission of Museums." In all, some sixty papers were presented, twenty-four of which have been included in this book. The first two topics elicited several papers that explored the creative process, including the description and analysis of performance, and the taxonomy of objects used, the transmission of cultural knowledge, and the identity and work of individual artists. The second two topics provided the opportunity for papers on some significant early museum collectors and collections, various methods of documenting cultural material (such as photography), how cultural material has been and can be exhibited, and the role of museums and cultural centers in Pacific Island countries.
Aldo Iacobelli
This book provides an overview of Iacobelli's work from around 1984 to 2006. It includes his monumental drawings of the '80s, 'Side One' and 'Paintings In Oils, 'New Thinking Is Rare', 'DP', which comments on Australia's refugee politics.
