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APPROXIMATE JOY.
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Christopher Ander
Son presents a very personal body of work from Magnum photographer Christopher Anderson, who has earned international acclaim for his documentary work from conflict zones all over the world. Following the birth of his son he stepped away from war photography and his work turned towards an intimate reflection: 'These photographs are an organic response to an experience that is at the same time the most unique and the most universal of experiences: the birth of a child. They are a record of love and a reflection on the seasonal nature of life' - Christopher Anderson
Nonfiction
Colorful and stylish images--taken with a toy camera--presented in a beautifully designed white box.
Christopher Anderson: Stump
As one of today's most influential political photographers, Christopher Anderson has enjoyed rare behind-the-scenes access to the inner workings of American political theater. Stump collects his color and black-and-white photographs from recent campaign trails--particularly from the 2012 Obama/Romney contest--that scrutinize the highly rehearsed rhetorical masks of, among others, Barack and Michelle Obama, Mitt Romney, Paul Ryan, Newt Gingrich, Bill Clinton and others (including audience members at rallies). Removed from the context of reportage and sequenced here, these images accumulate a mesmerizing quality that is both frightening and hilarious. They are interspersed with other campaign-trail images, of fireworks, flags and other props of high pomp that attend such occasions. John Heilemann, author of the New York Times bestseller Game Change (on the 2008 presidential race), contributes an essay on Anderson's work.
Hollywood TV
The 1950s was one of the most turbulent periods in the history of motion pictures and television. During the decade, as Hollywood's most powerful studios and independent producers shifted into TV production, TV replaced film as America's principal postwar culture industry. This pioneering study offers the first thorough exploration of the movie industry's shaping role in the development of television and its narrative forms. Drawing on the archives of Warner Bros. and David O. Selznick Productions and on interviews with participants in both industries, Christopher Anderson demonstrates how the episodic telefilm series, a clear descendant of the feature film, became and has remained the dominant narrative form in prime-time TV. This research suggests that the postwar motion picture industry was less an empire on the verge of ruin—as common wisdom has it—than one struggling under unsettling conditions to redefine its frontiers. Beyond the obvious contribution to film and television studies, these findings add an important chapter to the study of American popular culture of the postwar period.
Twentieth-Century Organ Music
This volume explores twentieth-century organ music through in-depth studies of the principal centers of composition, the most significant composers and their works, and the evolving role of the instrument and its music. The twentieth-century was a time of unprecedented change for organ music, not only in its composition and performance but also in the standards of instrument design and building. Organ music was anything but immune to the complex musical, intellectual, and socio-political climate of the time. Twentieth-Century Organ Music examines the organ's repertory from the entire period, contextualizing it against the background of important social and cultural trends. In a collection of...
The News Media
The business of journalism has an extensive, storied, and often romanticized history. This addition to the What Everyone Needs to Know(R) series looks at the past, present and future of journalism, considering how the development of the industry has shaped the present and how we can expect the future to roll out.
Sète # 12
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Mick
Shares insights into the iconic rock-and-roll performer's life, from his substance abuse challenges and his bisexual history to his connections to the British royal family and the secret attempt on his life.
Christopher Anderson
Christopher Anderson (*1970, Kelowna, Canada), a member of Magnum Photos, is one of the most infl uential contemporary photographers. He fi rst gained recognition in 1999 when he boarded a small boat with 44 Haitian immigrants trying to sail to the United States. The boat sank in the Caribbean. For these images, he received the Robert Capa Gold Medal. Since then, Anderson's work has defi ed categorization as he slips between the worlds of documentary, art, commercial and fashion photography. He was New York Magazine's fi rst ever "Photographer in Residence" and won the World Press Photo contest in 2007 and 2008. The images in Bleu Blanc Rouge, taken in the United States, France, Italy, Spain, and Germany, include portraits, candid moments, and still lifes. Recurring visual elements as the color red, forms and patterns, or a certain light tie the images together to a playful and poetic series. Presented in a magazine-like style, the particular intimacy of Anderson's images enchants the viewer in an instant.
