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Dancing with Musical Examples - Illustrated by Percy Macquoid
This is a facsimile reprint of the original book by Lilly Grove, rebuilt using the latest technology. There are no poor, missing or blurred pages and all photographic images have been professionally restored. At Yokai Publishing we believe that by restoring this title to print it will live on for generations to come.
A History of English Furniture
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ A History Of English Furniture: The Age Of Walnut; Volume 2 Of A History Of English Furniture; Percy Macquoid Percy Macquoid Lawrence & Bullen, limited, 1905 Art; Design; Furniture; Antiques & Collectibles / Furniture; Art / Design / Furniture; Furniture
A History of English Furniture: The age of mahogany
In the arrangement of this work, it will be found that the subject has been divided into four periods. The first, dating from 1500 to 1660, comprising furniture that can be attributed to the Renaissance and its evolution from the Gothic, may be termed 'The age of oak'. The second, from 1660 to 1720, where the change is varied by the Restoration and Dutch influence, followed by a distinctly assertive English spirit, may be called 'The age of walnut'. The third period, where the introduction from France of fesh ideas in design clearly marked another change, lasting from 1720 to 1770, which we call 'The age of mahogany'; and the fourth, from 1770 to 1820, inspired by an affectation for all things classical, combined with a curiously unbalanced taste, can best be described as 'The composite age.' -- Preface, v.1.
Fraud, Fakery and False Business
In 1922, Adolphe Shrager having made his fortune during the First World War, approached the London dealer Basil Dighton for advice on purchasing antique furniture. Dighton sold him about five hundred items but shortly afterwards Shrager discovered that one of his 'collector's pieces' was judged to be a fake and grossly over-priced, and he sued. The trial, held in early 1923, became a cause celebre, but it can be viewed as a case study of a much wider set of social and cultural concerns: the fact that Shrager lost both the first trial and the appeal, despite demonstrating on numerous occasions that he had a clear case against Dighton, raises questions of race, prejudice and class, where the establishment closed ranks against Shrager, the nouveau riche Jew and alleged war profiteer. This book - the first on the Shrager Dighton case - is the result of the author's original archival research.
