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Perspectives in Pentecostal Eschatologies
This collection of essays from established scholars and rising stars offers fresh perspectives in eschatology for the Pentecostal and Charismatic movements. The fresh readings of eschatology in this volume are valuable because they demonstrate that Pentecostals no longer need to look to others to interpret their theology for them but can stand as scholars and thinkers in their own right.
Spirit of the Last Days
Early Pentecostals proclaimed the restoration of the charismatic gifts as a sign of the imminent coming of Christ. This eschatology was later marginalized by the rise of fundamentalist dispensationalism. Today Pentecostal eschatology is being revised to include a more transformative view of the kingdom. This boook proposes a further revision of Pentecostal eschatology created to recover prophetic elements of early Pentecostalism that invite a responsible social engagement in the world, and to overcome fundamentalist assumptions which have crept into Pentecostal theology in its middle years. To this end, the eschatological thought of selected Pentecostal theologians is placed in dialogue with Jurgen Moltmann. This dialogue critiques fundamentalist tendencies within contemporary Pentecostalism by advocating a theology more open to history and creation, and a Pentecostal ethic both personal and social in scope.
Catch the Fire
A recent phenomenon of charismatic renewal took place in Toronto in the mid-1990s. Commonly known as the "Toronto Blessing" and operated by the former Vineyard Church leaders John and Carol Arnott, the renewal was defined by reports of uncontrollable laughter, weeping, speaking in tongues, animal noises, and falling on the floor during worship. Sympathetic Christians embraced these practices while others who believed that this form of worship boarded on spectacle rejected them. By the end of the 1990s most people thought that the renewal was over. Yet, in the first decade of the twenty-first century, the authors—a sociologist and a theologian—heard rumors that the Toronto church, now kno...
Pentecostal Aesthetics
Pentecostals have not sufficiently worked out a distinctively Pentecostal philosophy of art and aesthetics. In Pentecostal Aesthetics: Theological Reflections in a Pentecostal Philosophy of Art and Aesthetics, with a foreword by Amos Yong, Steven Félix-Jäger corrects this by reflecting theologically on art and aesthetics from a global Pentecostal perspective, particularly through a pneumatic Pentecostal lens. Félix-Jäger contends that a Pentecostal philosophy of art and aesthetics must comply with the global, experiential, and pneumatocentric nature of the Pentecostal movement. Such a philosophy can be ontologically grounded in a relativistic theory of art. Theological reflections concerning the nature and purpose of art must then be sensitive to the ontological foundations secured thereof. In this fashion, Pentecostals can gain ample insight about the Spirit’s work in today’s contemporary artworld.
Tongues and Trees
This book develops a Pentecostal ecological theology (ecotheology) by utilizing key pneumatological themes that emerge from the Pentecostal tradition. It examines the salient Pentecostal and Charismatic voices that have stimulated ecotheology in the Pentecostal tradition and situates them within the broader context of Christian ecumenical ecotheologies (Roman Catholic, Orthodox, Protestant, and Ecofeminist). The author advances a novel approach to Pentecostal ecotheology through a pneumatology of the Spirit-baptized creation, the charismatic creational community, the holistic ecological Spirit, and the eschatological Spirit of ecological mission. Significantly, this book is the first substantive contribution to a Pentecostal pneumatological theology of creation with a particular focus on the Pentecostal community and its significance for the broader ecumenical community. Furthermore, it offers a fresh theological approach to imagining and sustaining earth-friendly practice in the twenty-first century Pentecostal church.
Worship, Ritual, and Pentecostal Spirituality-as-Theology
Vibrant worship music is part of the Charismatic liturgy all around the world, and has become in many ways the hallmark of Pentecostal-Charismatic Christianity. Despite its centrality, scholarly interest in the theological and ritual significance of worship for pentecostal spirituality has been sparse, not least in Africa. Combining rich theoretical and theological insight with an in-depth case study of worship practices in Nairobi, Kenya, this interdisciplinary study offers a significant contribution to knowledge and is bound to influence scholarly discussions for years to come. The book is a must-read for anyone interested in Pentecostal worship, ritual, and spirituality.
The Spirit, Indigenous Peoples and Social Change
In The Spirit, Indigenous Peoples and Social Change Michael Frost explores a pentecostal theology of social engagement in relation to Māori in New Zealand, with implications for pentecostalism and indigenous peoples in the West.
Spirit of the Arts
A contribution to the field of theological aesthetics, this book explores the arts in and around the Pentecostal and charismatic renewal movements. It proposes a pneumatological model for creativity and the arts, and discusses different art forms from the perspective of that model. Pentecostals and other charismatic Christians have not sufficiently worked out matters of aesthetics, or teased out the great religious possibilities of engaging with the arts. With the flourishing of Pentecostal culture comes the potential for an equally flourishing artistic life. As this book demonstrates, renewal movements have participated in the arts but have not systematized their findings in ways that express their theological commitments—until now. The book examines how to approach art in ways that are communal, dialogical, and theologically cultivating.
Canadian Pentecostals, the Trinity, and Contemporary Worship Music
This volume sensibly examines whether an inconsistency exists between a Canadian Pentecostal denomination’s trinitarian statement of faith and the songs they most commonly sing. Colin Gunton’s trinitarian theology is utilized as a framework for this landmark analysis.
