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Free Will
Free Will, also known as Freedom of the Will, is appraised as the one of the greatest works ever produced in America. The mid-eighteenth-century New England philosophical theologian Jonathan Edwards (1703-58) defines the will by importing terms from John Locke. Edwards states the Arminian nature of free will, suspects the need for such free will, and finally defends Calvinist free will and objects to the Arminian one. In his argument, he chooses three British antagonists: Daniel Whitby, Thomas Chubb, and Isaac Watts. These antagonists insist that the self-determining will is necessary for us to be morally accountable. Edwards disputes their objections that God's determination is contradictory to the liberty of the human will. He then goes to argue what kind of freedom of the will is necessary for the former and latter to be compatible. Edwards's psychological, moral, and theological philosophy is displayed. In addition, readers can learn how our will chooses something pleasant by following the dictate of understanding, while the author demonstrates the natures of New England Arminianism and Calvinism.
Teaching Jung
This book offers a collection of original articles presenting several different approaches to Jung's psychology in relation to religion, theology, and contemporary culture. The contributors describe their teaching of Jung in different academic contexts, with special attention to the pedagogical and theoretical challenges that arise in the classroom.
Analytical Psychology and German Classical Aesthetics: Goethe, Schiller, and Jung, Volume 1
In this volume, Paul Bishop investigates the extent to which analytical psychology draws on concepts found in German classical aesthetics. It aims to place analytical psychology in the German-speaking tradition of Goethe and Schiller, with which Jung was well acquainted. Analytical Psychology and German Classical Aesthetics argues that analytical psychology appropriates many of its central notions from German classical aesthetics, and that, when seen in its intellectual historical context, the true originality of analytical psychology lies in its reformulation of key tenets of German classicism. Although the importance for Jung of German thought in general, and of Goethe and Schiller in part...
The Bloomsbury Handbook of Religion and Popular Music
The second edition of The Bloomsbury Handbook of Religion and Popular Music provides an updated, state-of-the-art analysis of the most important themes and concepts in the field, combining research in religious studies, theology, critical musicology, cultural analysis, and sociology. It comprises 30 updated essays and six new chapters covering the following areas: · Popular Music, Religion, and Performance · Musicological Perspectives · Popular Music and Religious Syncretism · Atheism and Popular Music · Industrial Music and Noise · K-pop The Handbook continues to provide a guide to methodology, key genres and popular music subcultures, as well as an extensive updated bibliography. It remains the essential tool for anyone with an interest in popular culture generally and religion and popular music in particular.
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